<?xml version="1.0" encoding="utf-8"?><rss version="2.0"><channel><title>Atividades</title><link>https://fames.es.gov.br:443/atividades</link><description>Atividades</description><item><title>Concerto | Banda Sinfônica da Fames</title><link>https://fames.es.gov.br:443/basf-cosmovisao</link><description>&lt;h4 style="text-align: left;"&gt;&lt;b&gt;09/Jun | 20h \ Teatro Sesc Gl&amp;oacute;ria&lt;/b&gt;&lt;/h4&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Banda Sinf&amp;ocirc;nica da FAMES&amp;nbsp;&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Participa&amp;ccedil;&amp;atilde;o: Grupo de Metais da FAMES&lt;/b&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Cosmovis&amp;atilde;o: contos, lendas, mitos e crendices&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;O concerto prop&amp;otilde;e uma travessia musical por narrativas simb&amp;oacute;licas, hist&amp;oacute;ricas e imagin&amp;aacute;rias que atravessam diferentes culturas, territ&amp;oacute;rios e tempos. A partir de dobrados, lendas, crendices populares, mitologias liter&amp;aacute;rias e paisagens sonoras program&amp;aacute;ticas, o repert&amp;oacute;rio convida o p&amp;uacute;blico a experimentar a m&amp;uacute;sica como forma de contar hist&amp;oacute;rias, evocar mem&amp;oacute;rias e criar mundos.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;Dire&amp;ccedil;&amp;atilde;o art&amp;iacute;stica: &lt;/strong&gt;Maestro Eduardo Lucas&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Banda Sinf&amp;ocirc;nica da FAMES&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Breve texto de apresenta&amp;ccedil;&amp;atilde;o da Banda Sinf&amp;ocirc;nica da FAMES, destacando seu papel formativo, art&amp;iacute;stico e pedag&amp;oacute;gico dentro da Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo. Pode mencionar que o grupo re&amp;uacute;ne estudantes dos cursos da institui&amp;ccedil;&amp;atilde;o em uma pr&amp;aacute;tica coletiva voltada ao desenvolvimento t&amp;eacute;cnico, interpretativo e art&amp;iacute;stico do repert&amp;oacute;rio para banda sinf&amp;ocirc;nica.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Grupo de Metais da FAMES&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Breve texto de apresenta&amp;ccedil;&amp;atilde;o do Grupo de Metais da FAMES, destacando a forma&amp;ccedil;&amp;atilde;o camer&amp;iacute;stica, o repert&amp;oacute;rio espec&amp;iacute;fico para metais e percuss&amp;atilde;o, e a import&amp;acirc;ncia do grupo para o desenvolvimento da escuta coletiva, equil&amp;iacute;brio sonoro, articula&amp;ccedil;&amp;atilde;o e performance de conjunto.&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Programa:&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Abertura&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Reg&amp;ecirc;ncia: Eduardo Lucas&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;&amp;Oacute; estrela da manh&amp;atilde;! Qu&amp;atilde;o bela e brilhante - O morning star! How fair and bright (Coral)&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;Johann Sebastian Bach&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;1&amp;ordf; Parte&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Grupo de Metais da FAMES&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Reg&amp;ecirc;ncia: Ricardo Lepre&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;ol style="text-align: left;"&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;Dobrado Batista de Melo.........&lt;span style="font-weight: 400;"&gt;Manuel Alves Leite&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;Moonlight Serenade................&lt;span style="font-weight: 400;"&gt;Glenn Miller&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Arranjo: Mogens Hobeh&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;Cantos Nordestinos.................&lt;span style="font-weight: 400;"&gt;Gilberto Gagliardi&lt;/span&gt;&lt;br /&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;2&amp;ordf; Parte&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Banda Sinf&amp;ocirc;nica da FAMES&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Reg&amp;ecirc;ncia: Eduardo Lucas&lt;/span&gt;&lt;/p&gt;
&lt;ol style="text-align: left;"&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;A Fortaleza &amp;mdash; Dobrado n&amp;ordm; 3............&lt;span style="font-weight: 400;"&gt;Gilson Santos&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;O Meteorito de Bendeg&amp;oacute;..................&lt;span style="font-weight: 400;"&gt;Leonardo Gorosito&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;Ecossistemas Aniquilados................&lt;span style="font-weight: 400;"&gt;Gilson Santos&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;3&amp;ordf; Parte&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Banda Sinf&amp;ocirc;nica da FAMES&lt;/b&gt;&lt;/p&gt;
&lt;ol style="text-align: left;"&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;&lt;b&gt;Highland Legend......................&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;John Moss&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;&lt;b&gt;Of Castles and Legends............&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;Thomas Doss&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;
&lt;p&gt;&lt;b&gt;The Divine Comedy...................&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;Robert W. Smith&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;/li&gt;
&lt;/ol&gt;
&lt;ol style="list-style-type: upper-roman; text-align: left;"&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Inferno&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;Purgat&amp;oacute;rio&lt;/li&gt;
&lt;li&gt;Ascens&amp;atilde;o&lt;/li&gt;
&lt;li&gt;Para&amp;iacute;so&lt;/li&gt;
&lt;/ol&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Notas de programa&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;O Meteorito de Bendeg&amp;oacute;&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Leonardo Gorosito&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Obra encomendada pela Banda Sinf&amp;ocirc;nica Vale M&amp;uacute;sica Serra, sob a dire&amp;ccedil;&amp;atilde;o do Dr. Eduardo Lucas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;H&amp;aacute; milh&amp;otilde;es de anos, um meteorito caiu na regi&amp;atilde;o de Monte Santo, na Bahia. Encontrado em 1784, o Bendeg&amp;oacute; pesava aproximadamente 5,3 toneladas. Ap&amp;oacute;s tentativas frustradas de transporte, permaneceu por anos &amp;agrave;s margens do riacho Bendeg&amp;oacute;, at&amp;eacute; ser removido por ordem de D. Pedro II e levado ao Museu Nacional, no Rio de Janeiro, em 1888.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;A narrativa em torno do meteorito ultrapassa o fato hist&amp;oacute;rico e alcan&amp;ccedil;a o imagin&amp;aacute;rio popular. Ap&amp;oacute;s sua remo&amp;ccedil;&amp;atilde;o, a regi&amp;atilde;o enfrentou uma forte seca, levando a comunidade local a associar o desaparecimento da pedra a uma esp&amp;eacute;cie de maldi&amp;ccedil;&amp;atilde;o. A obra explora musicalmente essa dimens&amp;atilde;o entre hist&amp;oacute;ria, mist&amp;eacute;rio, territ&amp;oacute;rio e cren&amp;ccedil;a popular.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Ecossistemas Aniquilados&lt;/b&gt; (Gilson Santos)&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Obra encomendada pela Orquestra Jovem Capixaba para o concerto &lt;/span&gt;&lt;b&gt;&amp;ldquo;Florestas Brasileiras: Mata Atl&amp;acirc;ntica&amp;rdquo;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;, sob a dire&amp;ccedil;&amp;atilde;o do Dr. Eduardo Lucas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;"Ecossistemas Aniquilados"&lt;span style="font-weight: 400;"&gt; &amp;eacute; uma obra program&amp;aacute;tica que retrata o drama ambiental da devasta&amp;ccedil;&amp;atilde;o da Mata Atl&amp;acirc;ntica e de outros biomas brasileiros. Por meio do crescimento progressivo da intensidade sonora, a composi&amp;ccedil;&amp;atilde;o cria imagens musicais associadas ao avan&amp;ccedil;o das chamas, ao desmatamento e aos sinais de emerg&amp;ecirc;ncia diante da destrui&amp;ccedil;&amp;atilde;o da natureza.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;A obra, no entanto, n&amp;atilde;o se encerra na devasta&amp;ccedil;&amp;atilde;o. Em sua segunda dimens&amp;atilde;o expressiva, surgem materiais musicais que sugerem resili&amp;ecirc;ncia, regenera&amp;ccedil;&amp;atilde;o e esperan&amp;ccedil;a. O resultado &amp;eacute; uma esp&amp;eacute;cie de den&amp;uacute;ncia sonora e, ao mesmo tempo, uma ora&amp;ccedil;&amp;atilde;o pela vida que insiste em resistir.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Highland Legend &lt;/b&gt;(John Moss)&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Highland Legend&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; &amp;eacute; uma abertura de inspira&amp;ccedil;&amp;atilde;o celta que evoca paisagens sonoras associadas &amp;agrave;s Terras Altas da Esc&amp;oacute;cia. A obra alterna momentos vigorosos e espirituosos com passagens mais l&amp;iacute;ricas, construindo uma atmosfera de aventura, tradi&amp;ccedil;&amp;atilde;o e encantamento.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Com melodias marcantes, contracantos expressivos e forte car&amp;aacute;ter narrativo, a composi&amp;ccedil;&amp;atilde;o aproxima o repert&amp;oacute;rio de banda sinf&amp;ocirc;nica do universo das lendas, paisagens e sonoridades folcl&amp;oacute;ricas escocesas.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Of Castles and Legends &lt;/b&gt;(Thomas Doss)&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Of Castles and Legends&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; &amp;eacute; uma composi&amp;ccedil;&amp;atilde;o program&amp;aacute;tica baseada na lenda alem&amp;atilde; da donzela branca da cidade de Volkmarsen. A narrativa conta a hist&amp;oacute;ria de uma jovem sequestrada por cavaleiros invasores e aprisionada em uma torre. Diante do desespero, ela entrega seu esp&amp;iacute;rito a Deus ao se lan&amp;ccedil;ar do alto do castelo.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;A partir dessa imagem tr&amp;aacute;gica e simb&amp;oacute;lica, a obra constr&amp;oacute;i uma atmosfera de mist&amp;eacute;rio, drama e transcend&amp;ecirc;ncia. A apari&amp;ccedil;&amp;atilde;o da donzela, vestida de branco, transforma-se em sinal de mem&amp;oacute;ria, espiritualidade e perman&amp;ecirc;ncia da lenda no imagin&amp;aacute;rio coletivo.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;The Divine Comedy &lt;/b&gt;(Robert W. Smith)&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Inspirada no cl&amp;aacute;ssico liter&amp;aacute;rio &lt;/span&gt;&lt;b&gt;A Divina Com&amp;eacute;dia&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;, de Dante Alighieri, a obra &lt;/span&gt;&lt;b&gt;The Divine Comedy&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;, de Robert W. Smith, conduz o p&amp;uacute;blico por uma jornada simb&amp;oacute;lica da alma humana. Seus quatro movimentos &amp;mdash; &lt;/span&gt;&lt;b&gt;Inferno, Purgat&amp;oacute;rio, Ascens&amp;atilde;o e Para&amp;iacute;so&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; &amp;mdash; representam musicalmente temas como culpa, purifica&amp;ccedil;&amp;atilde;o, transforma&amp;ccedil;&amp;atilde;o espiritual e reden&amp;ccedil;&amp;atilde;o.&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;No primeiro movimento, &lt;/span&gt;&lt;b&gt;Inferno&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;, a m&amp;uacute;sica evoca os c&amp;iacute;rculos descritos por Dante por meio de grandes blocos sonoros, intensidade dram&amp;aacute;tica e forte presen&amp;ccedil;a da percuss&amp;atilde;o. Em &lt;/span&gt;&lt;b&gt;Purgat&amp;oacute;rio&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;, o car&amp;aacute;ter torna-se mais reflexivo; &lt;/span&gt;&lt;b&gt;Ascens&amp;atilde;o&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; sugere eleva&amp;ccedil;&amp;atilde;o e expans&amp;atilde;o espiritual; e &lt;/span&gt;&lt;b&gt;Para&amp;iacute;so&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; encerra a obra em uma atmosfera de plenitude, luminosidade e transcend&amp;ecirc;ncia.&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Grupo de Metais da FAMES&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Trompetes&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Raphael Marques Scarpini&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Ryan Lucas Ferreira da Concei&amp;ccedil;&amp;atilde;o&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Caio Manh&amp;atilde;es Graci&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Arlleson Belisario Soares&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Ryan Bicalho&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Esthevam Leal&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Calebe Domingues&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Trompas&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Pedro Paulo Tavares&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Luiza Amanda Loureiro Luciano&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Wilson da Silva Amaral&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Marcos Vin&amp;iacute;cius Rodrigues Almeida&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Fabricia Ramos Pereira&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Trombones&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Gabriel Alves Rocha&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Felipe Francisco da Silva&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Andr&amp;eacute; Dourado de Souza&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Havylla Fagundes Carvalho&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Elielson Lira Mamede&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Gabriel Prata Aleixo da Silva&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Brayan Groeschel Ferreira&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Euf&amp;ocirc;nio&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Leandro Leppaus Guimar&amp;atilde;es&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Tuba&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Pedro Henrique Ferreira Nascimento Loureiro&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Percuss&amp;atilde;o&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Robson Mates&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Lana Fabri Roos&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Asael Santos&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Davi de Ara&amp;uacute;jo da Silva&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Banda Sinf&amp;ocirc;nica da FAMES&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Flauta Transversal 1 / Piccolo&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; Ludmila Rocha&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Flauta Transversal 1&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; Bella Waiandt&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Iuri Ernandes&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Eliza Schettino&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Flauta Transversal 2&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; Luiza Matozinhos&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Daniel Jovita&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Jetro Morozesky Lorenzon&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Gabriel Coutinho&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Karen Rodrigues&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Obo&amp;eacute;s&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Samuel Erlacher&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Daniely Pereira&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Fagotes&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Lav&amp;iacute;nia Sim&amp;otilde;es da Silva&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Sarah da Paz&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Clarinetes&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;D&amp;eacute;bora Savelli&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Danyel Henrike&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Robert Assis&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Kamily Marques&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Paulo Sergio Wotecostz&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Lanai Karen&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Agatha de Paula Costa&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Miqu&amp;eacute;ias dos Santos Costa&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Saxofones&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Thiago Junger&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Sofia Lomba&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Amanda Ramos&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; L&amp;uacute;cio Athayde&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Pedro Cristian&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; H&amp;eacute;lio Felipe&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;D&amp;eacute;bora da Silva dos Santos&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Trompas&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Pedro Paulo Tavares&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Ricardo Lepre&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Wilson Amaral&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Fabricia Ramos&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Trompetes&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Raphael Scarpini&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Elen Cristina&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Arthur Dias&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Caio Manh&amp;atilde;es&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Rebeca Vit&amp;oacute;ria&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Ryan Bicalho&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Trombones&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Ricley Ribeiro&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Gabriel Miranda&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Felipe Silva&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Matias Rangel&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Bombardinos e Tubas&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Leandro Leppaus&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Gabriel Cardoso&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Isaque Macedo&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Pedro Henrique Ferreira&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Violoncelo&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Adriel Natan&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Contrabaixo&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Nicol&amp;aacute;s Moreno&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt; Michael Hochreiter&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Piano&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;A definir&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Percuss&amp;atilde;o&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="font-weight: 400;"&gt;Ian Sampaio&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Robson Mates&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Asael Teodoro&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Erick Davi&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Lana Roos&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Davi Felisberto&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Equipe art&amp;iacute;stica e t&amp;eacute;cnica&lt;/b&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Reg&amp;ecirc;ncia&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; Maestro Eduardo Lucas&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Dire&amp;ccedil;&amp;atilde;o Art&amp;iacute;stica&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; Eduardo Lucas&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Produ&amp;ccedil;&amp;atilde;o&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; Vitorino&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;b&gt;Fotografia&lt;/b&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; Bruno Le&amp;atilde;o&lt;/span&gt;&lt;/p&gt;</description><pubDate>Thu, 21 May 2026 19:45:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/basf-cosmovisao</guid></item><item><title>Jornada Fladem Brasil | 2026 - Programação Vitória</title><link>https://fames.es.gov.br:443/fladem-vitoria-2026</link><description>&lt;h4 style="text-align: left;"&gt;&lt;strong&gt;29 e 30 de maio de 2026 | Local: Fames&lt;/strong&gt;&lt;/h4&gt;
&lt;h3 style="text-align: left;"&gt;&lt;a href="https://www.even3.com.br/e/jornadas-fladem-brasil-2026-723368" target="_blank" rel="noopener"&gt;&lt;span style="color: #008000;"&gt;&lt;strong&gt;FORMUL&amp;Aacute;RIO DE INSCRI&amp;Ccedil;&amp;Atilde;O&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;/h3&gt;
&lt;p&gt;O tema deste ano ser&amp;aacute;&lt;strong&gt; "Culturas Populares na Educa&amp;ccedil;&amp;atilde;o Musical:&lt;/strong&gt; territ&amp;oacute;rios, identidades e resist&amp;ecirc;ncias". &lt;strong&gt;O primeiro dia de evento ser&amp;aacute; online&lt;/strong&gt;, direcionado a todas as pessoas inscritas nacionalmente, com transmiss&amp;atilde;o ao vivo pelo canal do Youtube do Fladem Brasil.&lt;/p&gt;
&lt;p&gt;O segundo dia ser&amp;aacute; exclusivamente presencial nas cidades aderidas neste ano.&lt;/p&gt;
&lt;hr /&gt;
&lt;h4 style="text-align: left;"&gt;&lt;strong&gt;Programa&amp;ccedil;&amp;atilde;o local:&lt;/strong&gt;&lt;/h4&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;30 de maio&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;8h30 &amp;agrave;s 9h &amp;ndash; &lt;strong&gt;Recep&amp;ccedil;&amp;atilde;o&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;9h &amp;agrave;s 9h15 &amp;ndash; &lt;strong&gt;Miniconcerto&lt;/strong&gt;: Quinteto de Sopros M&amp;uacute;sica na Rede&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;9h15 &amp;agrave;s 10h15 - &lt;strong&gt;Confer&amp;ecirc;ncia de Abertura&lt;/strong&gt; - M&amp;uacute;sica nas escolas p&amp;uacute;blicas | Com: Dalila Evangelista, Samuel Costa e Tatiana Fernandes. Media&amp;ccedil;&amp;atilde;o: Gina Soares&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;10h15 &amp;agrave;s 10:30 &amp;ndash; Intervalo&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;10h30 &amp;agrave;s 12h &amp;ndash; &lt;strong&gt;OFICINAS&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;OFICINA A - Percuss&amp;atilde;o - Batuques&amp;hellip; | Com: Eric Carvalho&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;OFICINA B - Dan&amp;ccedil;as Urbanas - Hip Hop | Com: Mfive&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;OFICINA C - M - Aprecia&amp;ccedil;&amp;atilde;o e Express&amp;atilde;o: da, pela e para a m&amp;uacute;sica | Com: Gina Soares&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;12h &amp;agrave;s 13h30 &amp;ndash; &lt;strong&gt;Almo&amp;ccedil;o&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;13h30 &amp;agrave;s 15h - &lt;strong&gt;OFICINAS&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;OFICINA D - O Congo | Com: F&amp;aacute;bio Carvalho&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;OFICINA E - Can&amp;ccedil;&amp;otilde;es de Educar e Brincar: repert&amp;oacute;rios e conte&amp;uacute;dos para a Educa&amp;ccedil;&amp;atilde;o Infantil e anos Iniciais do EF. | Com: Ademir Adeodato&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;OFICINA F - Can&amp;ccedil;&amp;otilde;es Brasileiras | Com: N&amp;eacute;lson Gon&amp;ccedil;alves e Thiago Pessanha&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;15h &amp;agrave;s 15:15h - &lt;strong&gt;Intervalo&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;15h15 &amp;agrave;s 15h45 - &lt;strong&gt;Recital Did&amp;aacute;tico&lt;/strong&gt; | Com: Elen&amp;iacute;sio Rodrigues&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;15h45 &amp;agrave;s 16h15 - Lan&amp;ccedil;amento de livros, materiais did&amp;aacute;ticos dentre outros.&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;16h15 &amp;agrave;s 17h30 - &lt;strong&gt;Roda de Conversa&lt;/strong&gt; | Com: Alba Janes e Monique Traverzin&lt;/span&gt;&lt;br /&gt;&lt;span&gt; &lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;&lt;/span&gt;&lt;span&gt;Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo - Edif&amp;iacute;cio Sede&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Pra&amp;ccedil;a Am&amp;eacute;rico Poli Monjardim, 60&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Centro, Vit&amp;oacute;ria - ES&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;Organiza&amp;ccedil;&amp;atilde;o local:&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Gina Soares &lt;/span&gt;&lt;a class="x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" href="https://www.instagram.com/ginadbsoares/" role="link" tabindex="0"&gt;@ginadbsoares&lt;/a&gt;&lt;span&gt; &lt;/span&gt;&lt;br /&gt;&lt;span&gt;Alba Janes &lt;/span&gt;&lt;a class="x1i10hfl xjbqb8w x1ejq31n x18oe1m7 x1sy0etr xstzfhl x972fbf x10w94by x1qhh985 x14e42zd x9f619 x1ypdohk xt0psk2 x3ct3a4 xdj266r x14z9mp xat24cr x1lziwak xexx8yu xyri2b x18d9i69 x1c1uobl x16tdsg8 x1hl2dhg xggy1nq x1a2a7pz notranslate _a6hd" href="https://www.instagram.com/albajanes/" role="link" tabindex="0"&gt;@albajanes&lt;/a&gt;&lt;/p&gt;</description><pubDate>Wed, 20 May 2026 17:46:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/fladem-vitoria-2026</guid></item><item><title>Masterclass | Piano</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/masterclass-piano</link><description>&lt;h4&gt;&lt;span&gt;26/Mai | 17h30 | Sala 203 (Fames)&lt;/span&gt;&lt;/h4&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof Dr. Andrei Liquer&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;Organiza&amp;ccedil;&amp;atilde;o:&lt;/strong&gt; Prof. Willian Lizardo&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="color: #008000;"&gt;&lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSf7EllvDw8XKLSdkwvgsyaXZw0mKO2A0yIDVwwJl1HmeKAQlQ/viewform?usp=publish-editor" target="_blank" rel="noopener" style="color: #008000;"&gt;Formul&amp;aacute;rio de Inscri&amp;ccedil;&amp;atilde;o&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;img width="110" height="165" alt="" src="/Media/Fames/Atividades/Andrei_ativ.png" /&gt;&lt;/p&gt;
&lt;div&gt;Andrei Liquer, ex-aluno da Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo, &amp;eacute; pianista e pesquisador brasileiro com destacada atua&amp;ccedil;&amp;atilde;o art&amp;iacute;stica e acad&amp;ecirc;mica. Iniciou seus estudos de piano aos seis anos de idade e concluiu o Mestrado e o Doutorado em Psicologia da M&amp;uacute;sica e Performance na Universidade Federal do Rio Grande do Sul, sob orienta&amp;ccedil;&amp;atilde;o do Prof. Dr. Ney Fialkow, tendo sido contemplado com bolsa da CAPES durante sua forma&amp;ccedil;&amp;atilde;o. Em 2020, realizou est&amp;aacute;gio doutoral na University of Ottawa, integrando o Laborat&amp;oacute;rio de Pedagogia do Piano. Atualmente, aperfei&amp;ccedil;oa-se no Chicago College of Performing Arts, da Roosevelt University, sob orienta&amp;ccedil;&amp;atilde;o do renomado pianista Jorge Federico Osorio.&lt;/div&gt;
&lt;p&gt;&lt;br /&gt;Como pesquisador, desenvolve trabalhos voltados &amp;agrave; Psicologia da M&amp;uacute;sica, especialmente nas &amp;aacute;reas de emo&amp;ccedil;&amp;atilde;o, expressividade e criatividade na performance pian&amp;iacute;stica infantil. &amp;Eacute; autor de artigos acad&amp;ecirc;micos, al&amp;eacute;m de disserta&amp;ccedil;&amp;atilde;o e tese dedicadas &amp;agrave; investiga&amp;ccedil;&amp;atilde;o da express&amp;atilde;o musical em crian&amp;ccedil;as e jovens instrumentistas.&lt;br /&gt;&lt;br /&gt;Como pianista, apresentou-se em importantes salas de concerto no Brasil e na Espanha, incluindo o Audit&amp;oacute;rio do BNDES, no Rio de Janeiro; o Teatro Carlos Gomes, em Vit&amp;oacute;ria; a Capela Santa Maria, em Curitiba; o Instituto Ling, em Porto Alegre; e o Auditori Enric Granados, na Espanha. Tamb&amp;eacute;m participou de masterclasses com grandes nomes do piano internacional, como Cristina Ortiz, Anna Fedorova e Vadim Rudenko.&lt;br /&gt;&lt;br /&gt;Ao longo de sua trajet&amp;oacute;ria, conquistou mais de quinze premia&amp;ccedil;&amp;otilde;es em concursos nacionais de piano, destacando-se os primeiros lugares no Concurso Nacional de M&amp;uacute;sica Brasileira Maestro Spartaco Rossi, no Concurso Souza Lima e no Concurso Villa-Lobos, em Vit&amp;oacute;ria, onde tamb&amp;eacute;m recebeu o pr&amp;ecirc;mio de Melhor Int&amp;eacute;rprete de Villa-Lobos.&lt;/p&gt;</description><pubDate>Mon, 18 May 2026 21:14:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/masterclass-piano</guid></item><item><title>Quinta Justa | 21/Mai</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/quinta-justa-21-mai</link><description>&lt;h4&gt;21/Mai | 18h | Sala de Concerto Alceu Camargo&lt;/h4&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;Recital:&lt;/strong&gt;&lt;br /&gt;Classes de Laborat&amp;oacute;rio da Performance, Instrumento Musicalizador e CFM&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Programa:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Flauta Transversal&lt;/strong&gt;&lt;br /&gt;Madrigal (P. Gaubert) - Ana Luiza Rodrigues Silva&lt;br /&gt;Arlesi&amp;egrave;nne (G. Bizet) - Jo&amp;atilde;o Victor Dornelas Pereira&lt;br /&gt;Quarteto : Hedwigs Theme (J. Williams) e Eye of the Tiger (F. Sullivan/J.Peterik)&lt;br /&gt;Sonata em D&amp;oacute; Maior (J.S.Bach) - Chrystian Ronaldo Juster&lt;br /&gt;Sonata em Fa Maior&amp;nbsp;(B. Marcello) - Beatriz Moreira Soares&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Laborat&amp;oacute;rio da Performance&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;M&amp;eacute;ditation de Thiais (J. Massenet) - Fabio Salles&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Concerto n&amp;deg;8 para Obo&amp;eacute; (G. Haendel) - Daniely Pereira&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Divertimento (M. Arnold) -&amp;nbsp;&lt;/span&gt;&lt;span&gt;Fabio Salles,&amp;nbsp;Daniely Pereira &amp;amp;&amp;nbsp;Katty Kesley&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Trio (Montelli) - Ana Carolina, Katty Kesley e Marcely Santos de Oliveira&lt;/span&gt;&lt;br /&gt;&lt;span&gt;Fantaisie (G. Faur&amp;eacute;) - Iuri Ernandez&amp;nbsp;&lt;/span&gt;&lt;span&gt;Euzebio Alves&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Instrumento Musicalizador&lt;/strong&gt;&lt;br /&gt;&lt;span&gt;Grupo 1 : 4 cria&amp;ccedil;&amp;otilde;es / Hoje &amp;eacute; Domingo - Ernst Mahle / Amazing Grace (tradicional)&lt;br /&gt;Grupo 2 : 4 cria&amp;ccedil;&amp;otilde;es / Gosto Muito de Cantar - Ernst Mahle&lt;/span&gt;&lt;/p&gt;</description><pubDate>Mon, 18 May 2026 19:30:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/quinta-justa-21-mai</guid></item><item><title>Seleção de Mediadores Presenciais | Música para todos</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/selecao-de-mediadores-presenciais-musica-para-todos</link><description>&lt;h4 style="text-align: left;"&gt;&lt;img alt="" src="/Media/Fames/Atividades/barra-unac_canto__.png" /&gt;&lt;/h4&gt;
&lt;h4 style="text-align: left;"&gt;Inscri&amp;ccedil;&amp;otilde;es: At&amp;eacute; 20 de maio de 2026&lt;/h4&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="color: #800000;"&gt;&lt;a href="/editais/musicaparatodos" target="_blank" rel="noopener" style="color: #800000;"&gt;Baixar Edital&lt;/a&gt; | &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSfoh3trqbcIkz20PVnjZF71w3xq3IYNx52wj1y-mvydvG5pLw/viewform" style="color: #800000;"&gt;Formul&amp;aacute;rio de Inscri&amp;ccedil;&amp;atilde;o&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;Munic&amp;iacute;pios:&lt;/strong&gt;&lt;/p&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;Ecoporanga&lt;/li&gt;
&lt;li&gt;Jaguar&amp;eacute;;&lt;/li&gt;
&lt;li&gt;Marata&amp;iacute;zes;&lt;/li&gt;
&lt;li&gt;Montanha;&lt;/li&gt;
&lt;li&gt;Nova Ven&amp;eacute;cia;&lt;/li&gt;
&lt;li&gt;Pinheiros.&lt;/li&gt;
&lt;/ul&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;P&amp;uacute;blico alvo:&lt;/strong&gt;&amp;nbsp;pessoas que possuam n&amp;iacute;vel t&amp;eacute;cnico ou que estejam cursando gradua&amp;ccedil;&amp;atilde;o ou que tenha 01 (um) ano de efetiva experi&amp;ecirc;ncia compat&amp;iacute;vel com as atividades de pesquisa, desenvolvimento, extens&amp;atilde;o ou inova&amp;ccedil;&amp;atilde;o do projeto, conforme Resolu&amp;ccedil;&amp;atilde;o n&amp;ordm; 323, de 07 de mar&amp;ccedil;o de 2023.&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;Documentos necess&amp;aacute;rios:&lt;/strong&gt;&lt;/p&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;C&amp;oacute;pia digitalizada do documento oficial de identifica&amp;ccedil;&amp;atilde;o com foto;&lt;/li&gt;
&lt;li&gt;Comprovante de Situa&amp;ccedil;&amp;atilde;o Cadastral no CPF&amp;rdquo; obtido pela internet no site da Receita Federal:https://servicos.receita.fazenda.gov.br/servicos/cpf/consultasituacao/consul tapublica.asp;&lt;/li&gt;
&lt;li&gt;Comprovante de resid&amp;ecirc;ncia no estado do Esp&amp;iacute;rito Santo emitido nos &amp;uacute;ltimos 03 (tr&amp;ecirc;s) meses;&lt;/li&gt;
&lt;li&gt;Anexo II devidamente preenchido e a respectiva documenta&amp;ccedil;&amp;atilde;o comprobat&amp;oacute;ria;&lt;/li&gt;
&lt;li&gt;Curr&amp;iacute;culo Lattes atualizado;&lt;/li&gt;
&lt;li&gt;Anexo III, contendo o link do v&amp;iacute;deo com apresenta&amp;ccedil;&amp;atilde;o profissional e execu&amp;ccedil;&amp;atilde;o de uma pe&amp;ccedil;a de livre escolha do(a) candidato(a). O(A) candidato(a) deve enviar um v&amp;iacute;deo contendo uma fala sobre sua experi&amp;ecirc;ncia profissional e execu&amp;ccedil;&amp;atilde;o instrumental/vocal de uma pe&amp;ccedil;a de livre escolha, com uso de viol&amp;atilde;o ou piano, conforme Anexo III.&lt;/li&gt;
&lt;/ul&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;Requisitos para contrata&amp;ccedil;&amp;atilde;o:&lt;/strong&gt;&lt;/p&gt;
&lt;ul style="text-align: left;"&gt;
&lt;li&gt;possuir carteira de identidade (RG) e inscri&amp;ccedil;&amp;atilde;o no Cadastro de Pessoa F&amp;iacute;sica (CPF);&lt;/li&gt;
&lt;li&gt;ser brasileiro ou estrangeiro com visto permanente;&lt;/li&gt;
&lt;li&gt;ser residente no estado do Esp&amp;iacute;rito Santo;&lt;/li&gt;
&lt;li&gt;possuir curr&amp;iacute;culo cadastrado na Plataforma Lattes;&lt;/li&gt;
&lt;li&gt;possuir cadastro no Sistema de Informa&amp;ccedil;&amp;atilde;o e Gest&amp;atilde;o da Fapes;&lt;/li&gt;
&lt;li&gt;n&amp;atilde;o possuir qualquer v&amp;iacute;nculo de parentesco com o coordenador do projeto, com o Dirigente da Institui&amp;ccedil;&amp;atilde;o Executora ou com os Dirigentes dos &amp;oacute;rg&amp;atilde;os parceiros;&lt;/li&gt;
&lt;li&gt;estar adimplente junto &amp;agrave; Fapes e &amp;agrave;s Fazendas Federal, Estadual e Municipal, bem como &amp;agrave; Justi&amp;ccedil;a Trabalhista;&lt;/li&gt;
&lt;li&gt;apresentar Plano de Atividades do bolsista contendo: T&amp;iacute;tulo, Resumo, Descri&amp;ccedil;&amp;atilde;o dos Objetivos, Metodologia e Cronograma de resultados previstos, justificativa para o n&amp;iacute;vel de Bolsa BPIG solicitada e justificativa para a contrata&amp;ccedil;&amp;atilde;o da bolsa no projeto e quanto &amp;agrave; sua ader&amp;ecirc;ncia ao objetivo das bolsas BPIG;&lt;/li&gt;
&lt;li&gt;n&amp;atilde;o acumular a bolsa da Fapes, exceto bolsas de produtividade PQ e DT do CNPq e BPC-Fapes e bolsas vinculadas ao Programa Universidade Aberta Capixaba (UnAC) e Universidade Aberta do Brasil (UAB).&lt;/li&gt;
&lt;/ul&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;Atualiza&amp;ccedil;&amp;otilde;es do Processo Seletivo:&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span class="conteudo-value"&gt;&lt;span&gt;13/05/2026 -&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a target="_blank" href="https://fames.es.gov.br/Media/Fames/2026/Editais_2026/Unac_06_26/Edital%20UNAC-FAMES%20-%20006%20-%202026%20-%20Musica%20para%20Todos%20-%20mediador%20presencial.pdf" title="Baixar: Edital UNAC-FAMES - 006/2026" rel="noopener"&gt;&lt;span class="conteudo-value"&gt;Edital UNAC-FAMES - 006/2026 -&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;/span&gt;&lt;span class="caption-value"&gt;Sele&amp;ccedil;&amp;atilde;o de vagas e cadastro de reserva na atua&amp;ccedil;&amp;atilde;o como mediador(a) presencial do Projeto de Extens&amp;atilde;o &amp;ldquo;M&amp;uacute;sica Para Todos&amp;rdquo;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span class="caption-value"&gt;&lt;span class="conteudo-value"&gt;&lt;span&gt;13/05/2026 -&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;a target="_blank" href="https://fames.es.gov.br/Media/Fames/2026/Editais_2026/Unac_06_26/Anexo%20II%20-%20Tabela%20de%20Pontos%20(2).docx" title="Baixar: Anexo II - Tabela de Pontos (2)" rel="noopener"&gt;&lt;span class="conteudo-value"&gt;Anexo II - Tabela de Pontos&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;span class="caption-value"&gt;&lt;span class="conteudo-value"&gt;&lt;span&gt;13/05/2026 -&amp;nbsp;&lt;/span&gt;&lt;a target="_blank" href="https://fames.es.gov.br/Media/Fames/2026/Editais_2026/Unac_06_26/Anexo%20III%20-%20ORIENTA%C3%87%C3%95ES%20PARA%20ELABORA%C3%87%C3%83O%20DE%20V%C3%8DDEO%20DE%20APRESENTA%C3%87%C3%83O%20(1).docx" title="Baixar: Anexo III - ORIENTA&amp;Ccedil;&amp;Otilde;ES PARA ELABORA&amp;Ccedil;&amp;Atilde;O DE V&amp;Iacute;DEO DE APRESENTA&amp;Ccedil;&amp;Atilde;O (1)" rel="noopener"&gt;Anexo III - ORIENTA&amp;Ccedil;&amp;Otilde;ES PARA ELABORA&amp;Ccedil;&amp;Atilde;O DE V&amp;Iacute;DEO DE APRESENTA&amp;Ccedil;&amp;Atilde;O (1)&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><pubDate>Mon, 18 May 2026 16:55:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/selecao-de-mediadores-presenciais-musica-para-todos</guid></item><item><title>Concerto | Orquestra Experimentla de Cordas</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/conceto-orquestra-experimentla-de-cordas</link><description>&lt;h4&gt;20/Mai | a partir das 20h | Theatro Carlos Gomes&lt;/h4&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Regentes:&amp;nbsp;&lt;br /&gt;&lt;/strong&gt;Profa. Adriana Vinand&lt;br /&gt;Prof. Belquior Guerrero&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Programa:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;LUIZ GONZAGA.........Qui nem Jil&amp;oacute;&lt;br /&gt;G. F. HANDEL.............Marcha em R&amp;eacute;, HWV 460&lt;br /&gt;W. A. MOZART...........Sinfonia no 40, I. Allegro molto (*)&lt;br /&gt;E. GRIEG......................In the Hall of the Mountain King (*)&lt;br /&gt;(*) Arranjos de Jeff Manookian&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A Orquestra Experimental de Cordas do CFM (OREX) &amp;eacute; um grupo formado por alunos do Curso de Forma&amp;ccedil;&amp;atilde;o Musical da Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo &amp;ldquo;Maur&amp;iacute;cio de Oliveira&amp;rdquo; (FAMES), integrando as atividades pedag&amp;oacute;gicas e o curr&amp;iacute;culo do curso por meio da pr&amp;aacute;tica orquestral coletiva. Voltada &amp;agrave; forma&amp;ccedil;&amp;atilde;o art&amp;iacute;stica e t&amp;eacute;cnica dos estudantes, a OREX proporciona experi&amp;ecirc;ncia em repert&amp;oacute;rio para cordas, pr&amp;aacute;tica de conjunto e viv&amp;ecirc;ncia de palco, contribuindo para o desenvolvimento musical dos participantes. Ap&amp;oacute;s um per&amp;iacute;odo de interrup&amp;ccedil;&amp;atilde;o de suas atividades, a orquestra foi retomada em agosto de 2025 sob coordena&amp;ccedil;&amp;atilde;o e reg&amp;ecirc;ncia dos professores Belquior Guerrero e Adriana Vinand, reafirmando o compromisso da FAMES com a forma&amp;ccedil;&amp;atilde;o orquestral e a difus&amp;atilde;o da m&amp;uacute;sica de concerto no Esp&amp;iacute;rito Santo.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VIOLINO 1&lt;/strong&gt;&lt;br /&gt;Isabel Amorim Fraga&lt;br /&gt;Cau&amp;atilde; Vinicius Ribeiro Chaves&lt;br /&gt;Filipe de Souza Rufino&lt;br /&gt;Isabella Rodrigues Nascimento&lt;br /&gt;D&amp;eacute;bora Vasconcelos Queiroz&lt;br /&gt;Brendon Duarte Hung&lt;br /&gt;Isabella Dias de Souza&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VIOLINO 2&lt;/strong&gt;&lt;br /&gt;Jack Tesch Soares&lt;br /&gt;Pedro Augusto B. de L. Fafa Ronceto&lt;br /&gt;Samela Leticia Rocha&lt;br /&gt;Kevin dos Santos Sim&amp;otilde;es&lt;br /&gt;Guilherme Pereira Santana&lt;br /&gt;Gabriel Soeiro da Silva&lt;br /&gt;Gabriela da Silva Guimar&amp;atilde;es&lt;br /&gt;Kethlen Soares Motta Medeiros&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VIOLA&lt;/strong&gt;&lt;br /&gt;Noemi Suele Santos Souza&lt;br /&gt;Esther Braga Garcia&lt;br /&gt;Kaiky Boldt&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;VIOLONCELO&lt;/strong&gt;&lt;br /&gt;Fernando Santos da Cruz&lt;br /&gt;Emanuelly Rezende Loiola dos Santos&lt;br /&gt;Nat&amp;atilde; Gern Alves&lt;br /&gt;Thiago Bezerra Lima&lt;br /&gt;Ana Luiza Miranda Martins de Souza&lt;br /&gt;Viviane Passos Ribeiro&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;CONTRABAIXO&lt;/strong&gt;&lt;br /&gt;Prof. Michael Hochreiter&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</description><pubDate>Fri, 15 May 2026 14:51:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/conceto-orquestra-experimentla-de-cordas</guid></item><item><title>Concerto | Banda Sinfônica do CFM</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/concerto-banda-sinfonica-do-cfm-4</link><description>&lt;h4&gt;20/Mai | a partir das 20h | Theatro Carlos Gomes&lt;/h4&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Maestro titular e dire&amp;ccedil;&amp;atilde;o art&amp;iacute;stica:&lt;/strong&gt; Marcos Ferreira&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maestro assistente:&lt;/strong&gt; Felipe Carna&amp;uacute;ba&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;Programa:&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;FRANCISCO BRAGA...........Bar&amp;atilde;o do Rio Branco&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;J. SWEARINGER...................Novena&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;J.CHRISTENSEN...................Tribute to Elvis&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;J.WILLIAMS..........................Superman&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;A Banda Sinf&amp;ocirc;nica do Curso de Forma&amp;ccedil;&amp;atilde;o Musical (CFM) da Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo (FAMES) &amp;eacute; uma disciplina de pr&amp;aacute;tica coletiva, composta por alunos do CFM. O grupo &amp;eacute; dedicado ao desenvolvimento de habilidades t&amp;eacute;cnicas e musicais, explorando um repert&amp;oacute;rio variado que inclui obras significativas da literatura de bandas sinf&amp;ocirc;nicas, al&amp;eacute;m de pe&amp;ccedil;as populares e composi&amp;ccedil;&amp;otilde;es contempor&amp;acirc;neas. Atualmente, a banda est&amp;aacute; sob a reg&amp;ecirc;ncia do prof. Marcos Ferreira e prof. Felipe Carna&amp;uacute;ba.&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Flautas&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Davi da Silva Dos Santos / Miri&amp;atilde; Barbosa Manh&amp;atilde;es /Jetro Morozesky Lorenzon /Jo&amp;atilde;o Victor Dornelas Pereira /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Chrystian Ronaldo Juster Ahnert / Beatriz Moreira Soares /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Ana Luisa Rodrigues Silva / Vit&amp;oacute;ria Gama Ramos&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Clarinetes&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Caleb Barbosa Costalonga /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Marcline William Soares Santos / Rafael Guilherme Pinto de Oliveira / Samira Franco Moraes /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Kamily Rodrigues /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Miqueias dos Santos Costa&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Saxofones&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Adriel Brandes dos Santos / Januth Pl&amp;aacute;cido /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Davi de Freitas Rouver Vidal/ Rafael Bartels Cavati Dos Santos / Maelly dos Santos /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Igo Viana&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Trompetes&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Filipe Antunes de Oliveira / Kau&amp;atilde; Soares Motta Medeiros /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Ryan Lucas Ferreira Da Concei&amp;ccedil;&amp;atilde;o / Calebe Domingues da Luz / Arlleson Douglas Belisario Soares / Caio Manh&amp;atilde;es&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Trombones&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Brayan Groeschel Ferreirra/ Havylla Fagundes Carvalho/ Pedro Pl&amp;aacute;cido Torres / Ezequiel Barbosa Silva / Gabriel Prata Aleixo da Silva / Elielson Lira Mamede&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Trompas&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Wilson da Silva Amaral /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Marcos Vinicius Rodrigues Almeida / Alyssa Miranda da Silva Firmes / Manuela Ara&amp;uacute;jo de Jesus /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Deborah Seidel de Almeida Silva / Isabelly Silva Batista /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Ariely Oliveira da Silva /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Fl&amp;aacute;via Cristina Bardes Ferreira / Fabr&amp;iacute;cia Ramos Pereira&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Euf&amp;ocirc;nio&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Erick de Ramos Barbosa / Fernanda Nascimento dos Santos / Raphael Sales Silva&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Tuba&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Marcelo Augusto de Ara&amp;uacute;jo Aguiar /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Pedro Henrique Ferreira do Nascimento Loureiro&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Contrabaixo ac&amp;uacute;stico&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Jansen Gusm&amp;atilde;o Salles / Prof. Michael Hochreiter&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Percuss&amp;atilde;o&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Davi Sodr&amp;eacute; Pereira / Davi de Ara&amp;uacute;jo da Silva / Davi Felisberto /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Asael Teodoro Santos Corr&amp;ecirc;a / Jo&amp;atilde;o Paulo dos Santos Rocha /&amp;nbsp;&lt;/span&gt;&lt;span&gt;Ian Sampaio Robson Mates&lt;/span&gt;&lt;/p&gt;</description><pubDate>Fri, 15 May 2026 14:35:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/concerto-banda-sinfonica-do-cfm-4</guid></item><item><title>Palestra | Distonia Focal</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/palestra-distonia-focal</link><description>&lt;h4&gt;19/Mai | 14h | Audit&amp;oacute;rio do Ciretran | Aberto ao p&amp;uacute;blico&lt;/h4&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Palestra:&amp;nbsp;&lt;/strong&gt;Distonia Focal&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof. Dr.&amp;nbsp;Alexandre Magno&lt;/p&gt;
&lt;p&gt;&lt;img alt="" src="/Media/Fames/Atividades/Alexandre-Magno___.png" /&gt;&lt;/p&gt;
&lt;p&gt;Alexandre Magno e Silva Ferreira - &amp;eacute; Doutor em Trombone Performance and Pedagogy pela University of Kentucky School of Music em Lexington, KY, USA, Mestre em Bass Trombone Performance pela University of Iowa em Iowa City, Iowa, USA conclu&amp;iacute;do em 1999 e Bacharel em Trombone Baixo pela Universidade Federal da Para&amp;iacute;ba conclu&amp;iacute;do em 1992. Como instrumentista, Alexandre trabalhou na Banda Sinf&amp;ocirc;nica do Recife de 1994 a 2000 tem atuado em recitais em Recife, Estados Unidos, Goi&amp;acirc;nia, Londrina, Rio de Janeiro, Mato Grosso, Mato Grosso do Sul, S&amp;atilde;o Lu&amp;iacute;s, Maranh&amp;atilde;o, Rio Grande do Norte Cuiaba, S&amp;atilde;o Paulo,Teresina e Bel&amp;eacute;m. Alexandre foi membro do &amp;ldquo;LexFour Quartet&amp;rdquo; , um quarteto de trombones formado por professores da University of Eastern Kentucky (Ken Haddix), Georgia State University (William Man) and University of Kentucky (Brad Kerns). No Brasil &amp;eacute; membro da Camerata Shofar. Com extensa experi&amp;ecirc;ncia em Big Bands, fundou e dirigiu musicalmente a &amp;ldquo;Banda Pequi&amp;rdquo;, entre os anos de 2000 a 2008. De Agosto de 2008 a 2011 Alexandre foi trombonista baixo da University of Kentucky Jazz Ensemble onde acompanhou v&amp;aacute;rios solistas como o Trompetista Vincy DiMartino, Trombonista Michael Davis, Pianista Ellen Howen, gravou CD com o saxofonista Bob Mintzer. Al&amp;eacute;m de concertos locais, a UKJE, realizou turn&amp;ecirc; na Europa para tocar nos festivais de Montreux, Su&amp;iacute;&amp;ccedil;a, Beaujolais, Fran&amp;ccedil;a e North Sea Festival Holanda, durante o ver&amp;atilde;o de 2011. Alexandre Magno ministrou master classes durante do XXI Festival de Inverno de Londrina, PR, em semin&amp;aacute;rios sobre performance no &amp;ldquo;GET&amp;rdquo; Grupo de Estudos em Trombone de Recife, PE nos anos 2007, 2008 e 2009 e 2012. O Dr. Ferreira foi coordenador pedag&amp;oacute;gico dos VI e VII Dia T Encontro Internacional de Trombones do Recife e dos Festivais de M&amp;uacute;sica promovidos pela UFGD em Dourados, MS. Nas vers&amp;otilde;es 2014, 2015 e 2017. Tamb&amp;eacute;m foi diretor de assuntos internacionais da Associa&amp;ccedil;&amp;atilde;o Brasileira de Trombonistas para os Festivais de 2015, 2016 e 2017. Tamb&amp;eacute;m desempenhou esta fun&amp;ccedil;&amp;atilde;o entre 2018 e 2019 enquanto foi presidente da Associa&amp;ccedil;&amp;atilde;o de Trombonistas da Para&amp;iacute;ba. O Dr. Ferreira fundou v&amp;aacute;rias associa&amp;ccedil;&amp;otilde;es de trombonistas: Pernambuco (2017), Para&amp;iacute;ba (2015), Maranh&amp;atilde;o (2019), Mato Grosso do Sul (2018), Piau&amp;iacute; (2020) e Associa&amp;ccedil;&amp;atilde;o Brasileira de Trombonistas em 1995. Foi professor de trombone da Escola de M&amp;uacute;sica e Artes C&amp;ecirc;nicas da Universidade Federal de Goi&amp;aacute;s entre os anos de 2000 a 2008 e durante os anos de 2008 a 2010, ensinou a classe intitulada &amp;ldquo;Trombone Methods&amp;rdquo; para alunos do curso superior em trombone da Escola de M&amp;uacute;sica da University of Kentucky nos Estados Unidos. Atualmente, Alexandre &amp;eacute; professor de trombone do departamento de m&amp;uacute;sica da Universidade Federal da Para&amp;iacute;ba (UFPB) e diretor musical da Rubac&amp;atilde;o Jazz, a Big Band da UFPB fundada por um grupo de profissionais e alunos da UFPB no ano de 2013. Desde ent&amp;atilde;o, a banda vem atuando constantemente no cen&amp;aacute;rio local, regional e nacional. Alexandre pesquisa sobre Distonia Focal de Tarefa Espec&amp;iacute;fica de Embocadura, tema de sua Disserta&amp;ccedil;&amp;atilde;o de Doutorado, &amp;eacute; professor do Programa de P&amp;oacute;s Gradua&amp;ccedil;&amp;atilde;o em Computa&amp;ccedil;&amp;atilde;o, Comunica&amp;ccedil;&amp;atilde;o e Artes (PPGCCA) UFPB, onde tamb&amp;eacute;m realiza pesquisa em software livre de m&amp;uacute;sica e tamb&amp;eacute;m &amp;eacute; professor colaborador de trombone do Programa de P&amp;oacute;s Gradua&amp;ccedil;&amp;atilde;o em M&amp;uacute;sica da Escola de M&amp;uacute;sica da UFRN (PPGMUS). Administrativamente, &amp;eacute; membro da comiss&amp;atilde;o cient&amp;iacute;fica do simp&amp;oacute;sio cient&amp;iacute;fico da Associa&amp;ccedil;&amp;atilde;o Brasileira de Trombonista, editor t&amp;eacute;cnico do BTAJ (Brazilian Trombone Association Journal) Revista da Associa&amp;ccedil;&amp;atilde;o Brasileira de Trombonistas http://periodicos.ufpb.br/index.php/btaj.&lt;/p&gt;</description><pubDate>Thu, 14 May 2026 18:34:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/palestra-distonia-focal</guid></item><item><title>Quinta Justa | 14/Mai</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/quinta-justa-14-mai</link><description>&lt;h4&gt;14/Mai | 18h | Sala de Concerto Alceu Camargo&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;Recital:&lt;/strong&gt; "A&lt;span&gt;&amp;nbsp;flauta solo ao longo do tempo"&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof.&amp;nbsp;&lt;span&gt;Samuel Machado (flauta transversal)&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Programa:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Partita...................J.S.Bach&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Fantaisie................Telemann&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Estudos n&amp;deg;1 &amp;amp; 3.......Andersen&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Chaconne.................Karg-Elert&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Pi&amp;egrave;ce.......................Ibert&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Syrinx......................C. Debussy&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Trois Pi&amp;egrave;ces...............P.O. Ferroud&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Sequenza...................Berio&lt;/span&gt;&lt;/p&gt;</description><pubDate>Tue, 12 May 2026 13:47:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/quinta-justa-14-mai</guid></item><item><title>Concerto | Orquestra Sinfônica da Fames</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/concerto-orquesatra-sinfonica-da-fames</link><description>&lt;h4&gt;&lt;strong&gt;12/Mai | 20h | Teatro Sesc Gl&amp;oacute;ria&lt;/strong&gt;&lt;/h4&gt;
&lt;p&gt;&lt;a href="https://lets.events/e/parcerias-concertos-da-aniversario-faculdade-de-musica-do-espirito-santo-72-anos/" target="_blank" rel="noopener"&gt;Comprar Ingressos&lt;/a&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;Programa&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Abertura: Coral de Trombones da Fames&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Coral n&amp;ordm; 2.............................(G. Gagliardi)&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;O Gato..................................(G. Gagliardi) &amp;nbsp;&lt;/p&gt;
&lt;p&gt;Melodia Sentimental..............(H. Villa-Lobos)&lt;/p&gt;
&lt;p&gt;Major Wolmer........................(Ant&amp;ocirc;nio M. do Esp&amp;iacute;rito Santo)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Orquestra Sinf&amp;ocirc;nica da Fames&lt;/strong&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;AGUIAR, E.......................4 Momentos Musicais N&amp;ordm;3&lt;/p&gt;
&lt;p dir="ltr"&gt;ASSAD, Clarice. ..............Tr&amp;ecirc;s Pequenas varia&amp;ccedil;&amp;otilde;es sobre o tema &amp;ldquo;a mar&amp;eacute; encheu&amp;rdquo;&lt;/p&gt;
&lt;p dir="ltr"&gt;PITOMBEIRA, L................Suite Bumba-meu-boi&lt;/p&gt;
&lt;p dir="ltr"&gt;RIPPER, J.G....................Suite para cordas&lt;/p&gt;
&lt;p dir="ltr"&gt;AGUIAR, E......................Tr&amp;ecirc;s batuques de Cataguases&lt;/p&gt;
&lt;p dir="ltr"&gt;PEREIRA, Clovis..............Tr&amp;ecirc;s pe&amp;ccedil;as Nordestinas&lt;/p&gt;
&lt;hr /&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Orquestra Sinf&amp;ocirc;nica da Fames:&lt;/strong&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Maestro:&lt;/strong&gt; Fellipe Carnauba&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Violino 1:&lt;/strong&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;Hariton Nathanailidis (spalla) *&lt;/p&gt;
&lt;p dir="ltr"&gt;Lucas Mendon&amp;ccedil;a&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;Maria Eduarda&lt;/p&gt;
&lt;p dir="ltr"&gt;Maria Rita Figueiredo&amp;nbsp;&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Violino 2&lt;/strong&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;Roger Ribeiro *&lt;/p&gt;
&lt;p dir="ltr"&gt;Bianca Castoldi **&lt;/p&gt;
&lt;p dir="ltr"&gt;Bianca Santos&lt;/p&gt;
&lt;p dir="ltr"&gt;Mariana Castro&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Viola&lt;/strong&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;Luciana Rodrigues *&lt;/p&gt;
&lt;p dir="ltr"&gt;Thiago Vit&amp;oacute;ria **&lt;/p&gt;
&lt;p dir="ltr"&gt;Kaiky Boldt&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Violoncelo&lt;/strong&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;Daniel Enache*&lt;/p&gt;
&lt;p dir="ltr"&gt;Dariannath Pronio **&lt;/p&gt;
&lt;p dir="ltr"&gt;Adriel Natan&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Contra-baixo&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;Michael Hochreiter *&lt;/p&gt;
&lt;p dir="ltr"&gt;Nycollas Louzada **&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;*&lt;/strong&gt; professor&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;**&lt;/strong&gt; monitor&lt;/p&gt;
&lt;hr /&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Coral de Trombones da Fames:&lt;/strong&gt;&lt;/p&gt;
&lt;p dir="ltr"&gt;&lt;strong&gt;Professor/ Coordena&amp;ccedil;&amp;atilde;o:&amp;nbsp;&amp;nbsp;&lt;/strong&gt;Fredson Luiz Monteiro&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Trombones:&lt;/em&gt;&lt;/strong&gt; Ricley RibeiroGabriel Miranda / Gabriel Alves / Gabriel Prata /Andr&amp;eacute; Dourado / Luciano Gomes / Brayan Groeschel / Havyla Fagundes/ Pedro Pl&amp;aacute;cido / Elielson Lira / Felipe Silva / Matias Rangel&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;em&gt;Tuba:&lt;/em&gt;&lt;/strong&gt; Bismark Mota&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description><pubDate>Fri, 08 May 2026 20:18:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/concerto-orquesatra-sinfonica-da-fames</guid></item><item><title>Concerto | Banda Sinfônica do CFM</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/concerto-banda-sinfonica-do-cfm-2</link><description>&lt;h4&gt;&lt;strong&gt;05/Mai | 20h |&amp;nbsp;&amp;nbsp;Audit&amp;oacute;rio do Ciretran&lt;/strong&gt;&lt;/h4&gt;
&lt;hr /&gt;
&lt;h4&gt;&lt;strong&gt;Programa:&lt;/strong&gt;&lt;/h4&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;FRANCISCO BRAGA..........Bar&amp;atilde;o do Rio Branco&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;RALPH FORD...................Dark Adventure&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;FERRER FERRAN..............Cote D&amp;rsquo;or&lt;/span&gt;&lt;/p&gt;
&lt;ol&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;&lt;span style="font-weight: 400;"&gt;Dijon&lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;&lt;span style="font-weight: 400;"&gt;La Bourgogne&lt;/span&gt;&lt;/li&gt;
&lt;li style="font-weight: 400;" aria-level="1"&gt;&lt;span style="font-weight: 400;"&gt;Chalon Dans La Rue&lt;/span&gt;&lt;/li&gt;
&lt;/ol&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;JACOB DE HAAN..............Arioso&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;JAMES CHRISTENSEN.......Tribute to Elvis&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;JAMES SWEARINGER........Novena&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;h4&gt;&lt;b&gt;Integrantes:&lt;/b&gt;&lt;/h4&gt;
&lt;p&gt;&lt;b&gt;Flautas&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Davi da Silva Dos Santos&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Miri&amp;atilde; Barbosa Manh&amp;atilde;es&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Jetro Morozesky Lorenzon&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Jo&amp;atilde;o Victor Dornelas Pereira&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Chrystian Ronaldo Juster Ahnert&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Beatriz Moreira Soares&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ana Luisa Rodrigues Silva&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Vit&amp;oacute;ria Gama Ramos&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Clarinetes&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Caleb Barbosa Costalonga&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Marcline William Soares Santos&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Rafael Guilherme Pinto de Oliveira&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Samira Franco Moraes&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Kamily Rodrigues&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Miqueias dos Santos Costa&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Saxofones&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Adriel Brandes dos Santos&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Januth Pl&amp;aacute;cido&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Davi de Freitas Rouver Vidal&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Rafael Bartels Cavati Dos Santos&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Maelly dos Santos&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Igo Viana&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Trompetes&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Filipe Antunes de Oliveira&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Kau&amp;atilde; Soares Motta Medeiros&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ryan Lucas Ferreira Da Concei&amp;ccedil;&amp;atilde;o&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Calebe Domingues da Luz&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Arlleson Douglas Belisario Soares&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Caio Manh&amp;atilde;es&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Trombones&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Brayan Groeschel Ferreirra&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Havylla Fagundes Carvalho&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Pedro Pl&amp;aacute;cido Torres&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ezequiel Barbosa Silva&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Gabriel Prata Aleixo da Silva&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Elielson Lira Mamede&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Trompas&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Wilson da Silva Amaral&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Marcos Vinicius Rodrigues Almeida&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Alyssa Miranda da Silva Firmes&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Manuela Ara&amp;uacute;jo de Jesus&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Deborah Seidel de Almeida Silva&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Isabelly Silva Batista&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ariely Oliveira da Silva&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Fl&amp;aacute;via Cristina Bardes Ferreira&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Fabr&amp;iacute;cia Ramos Pereira&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Euf&amp;ocirc;nio&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Erick de Ramos Barbosa&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Fernanda Nascimento dos Santos&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Raphael Sales Silva&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Tuba&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Marcelo Augusto de Ara&amp;uacute;jo Aguiar&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Pedro Henrique Ferreira do Nascimento Loureiro&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Contrabaixo ac&amp;uacute;stico&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Jansen Gusm&amp;atilde;o Salles&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Prof. Michael Hochreiter&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Percuss&amp;atilde;o&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Davi Sodr&amp;eacute; Pereira&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Davi de Ara&amp;uacute;jo da Silva&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Davi Felisberto&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Asael Teodoro Santos Corr&amp;ecirc;a&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Jo&amp;atilde;o Paulo dos Santos Rocha&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ian Sampaio&amp;nbsp;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Robson Mates&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maestro titular e dire&amp;ccedil;&amp;atilde;o art&amp;iacute;stica:&lt;/strong&gt;&lt;span style="font-weight: 400;"&gt; Marcos Ferreira&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Maestro assistente:&lt;/strong&gt;&lt;span style="font-weight: 400;"&gt; Felipe Carna&amp;uacute;ba&lt;/span&gt;&lt;/p&gt;</description><pubDate>Mon, 04 May 2026 18:54:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/concerto-banda-sinfonica-do-cfm-2</guid></item><item><title>Grupo de Estudos em História e Historiografia da Música</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/grupo-de-estudos-em-historia-e-historiografia-da-musica-3</link><description>&lt;h4&gt;&lt;strong&gt;Inscri&amp;ccedil;&amp;otilde;es Abertas | A&lt;span&gt;t&amp;eacute; 15 de maio&lt;/span&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;hr /&gt;
&lt;h4&gt;&lt;strong&gt;&lt;span style="color: #008000;"&gt;&lt;a href="https://docs.google.com/forms/d/e/1FAIpQLScIgVQx25TuBo3Hm5ZAqcEhpSKISVyuw_6oowJBFSml02FXXw/viewform" target="_blank" rel="noopener" style="color: #008000;"&gt;FORMUL&amp;Aacute;RIO DE INSCRI&amp;Ccedil;&amp;Atilde;O&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h4&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;span&gt;Em sua segunda edi&amp;ccedil;&amp;atilde;o,&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;Grupo de Estudos em Hist&amp;oacute;ria e Historiografia da M&amp;uacute;sica&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;&amp;nbsp;(GEHHM) realizar&amp;aacute;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;&amp;nbsp;4&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;encontros&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;com pesquisadores que trabalham na interse&amp;ccedil;&amp;atilde;o entre as &amp;aacute;reas de hist&amp;oacute;ria e m&amp;uacute;sica.&lt;br /&gt;&lt;br /&gt;Os encontros ocorrer&amp;atilde;o em formato online, sempre &amp;agrave;s &lt;strong&gt;q&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;uintas-feiras das 17h &amp;agrave;s 19h.&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;O grupo &amp;eacute; voltado para professores, estudantes e pesquisadores das &amp;aacute;reas de m&amp;uacute;sica e hist&amp;oacute;ria, e aberto a interessados em geral.&lt;br /&gt;&lt;br /&gt;O GEHHM &amp;eacute; uma iniciativa do Laborat&amp;oacute;rio de Estudos em Musicologia e Hist&amp;oacute;ria Contempor&amp;acirc;nea (LEMUHC), vinculado &amp;agrave; Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo (Fames).&lt;/span&gt;&lt;span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;Programa:&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;Encontro 1 (21/05):&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;Dr. Jonas Lana (IFRJ/PPGMUS UFRJ)&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;Encontro 2 (28/05):&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;Ma. Pauline Goltz (UFPR)&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;Encontro 3 (11/06):&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;Me. Andr&amp;eacute; Caviola (UFMG)&lt;br /&gt;&lt;/span&gt;&lt;strong&gt;&lt;span&gt;Encontro 4 (26/06):&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;Dr. Alberto Dantas Filho (UFMA)&lt;/span&gt;&lt;/p&gt;</description><pubDate>Mon, 04 May 2026 18:01:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/grupo-de-estudos-em-historia-e-historiografia-da-musica-3</guid></item><item><title>Quinta Justa | 07/Maio</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/quinta-justa-07-maio</link><description>&lt;h4&gt;&lt;strong&gt;07/Mai | 18h | Sala de Concerto Alceu Camargo&lt;/strong&gt;&lt;/h4&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Abertura&lt;/strong&gt;&lt;br /&gt;Alunos do Bacharelado em Viol&amp;atilde;o Erudito:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;strong&gt;Luiz Felipe Ara&amp;uacute;jo&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&amp;ndash;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Um Choro na UFES&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(Maur&amp;iacute;cio de Oliveira)&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Pedro Laiber&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&amp;ndash;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Seis Grandes Varia&amp;ccedil;&amp;otilde;es, Op. 112&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(Mauro Giuliani)&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Tiago Trabach&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&amp;ndash;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Capricho &amp;Aacute;rabe&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(F. T&amp;aacute;rrega)&lt;/li&gt;
&lt;li&gt;&lt;strong&gt;Muniff Barcelos&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&amp;ndash;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;La Catedral&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(Agust&amp;iacute;n Barrios);&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Elogio de la Danza&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(Leo Brouwer)&amp;nbsp;&amp;nbsp;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;Orquestra Experimental de Cordas do CFM (OREX)&lt;/strong&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Igor Stravinsky &amp;ndash;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Lullaby&lt;/em&gt;, de&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;The Firebird&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(*)&lt;/li&gt;
&lt;li&gt;George Frideric Handel &amp;ndash;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Marcha em R&amp;eacute;&lt;/em&gt;, HWV 460&lt;/li&gt;
&lt;li&gt;Wolfgang Amadeus Mozart &amp;ndash;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Sinfonia n&amp;ordm; 40, I. Allegro molto&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(*)&lt;/li&gt;
&lt;li&gt;Edvard Grieg &amp;ndash;&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;In the Hall of the Mountain King&lt;/em&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;(*)&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;(*) Arranjos de Jeff Manookian&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;br /&gt;Integrantes da OREX&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;VIOLINO 1&lt;/b&gt;&lt;br /&gt;Isabel Amorim Fraga &amp;nbsp;&lt;br /&gt;Cau&amp;atilde; Vinicius Ribeiro Chaves&lt;br /&gt;Filipe de Souza Rufino&lt;br /&gt;Isabella Rodrigues Nascimento&lt;br /&gt;D&amp;eacute;bora Vasconcelos Queiroz&lt;br /&gt;Brendon Duarte Hung&lt;br /&gt;Isabella Dias de Souza&lt;br /&gt;&lt;br /&gt;&lt;b&gt;VIOLINO 2&lt;/b&gt;&lt;br /&gt;Jack Tesch Soares&lt;br /&gt;Pedro Augusto B. de L. Fafa Ronceto&lt;br /&gt;Samela Leticia Rocha&lt;br /&gt;Kevin dos Santos Sim&amp;otilde;es&lt;br /&gt;Guilherme Pereira Santana&lt;br /&gt;Gabriel Soeiro da Silva&lt;br /&gt;Gabriela da Silva Guimar&amp;atilde;es&lt;br /&gt;Kethlen Soares Motta Medeiros&lt;br /&gt;&lt;br /&gt;&lt;b&gt;VIOLA&lt;/b&gt;&lt;br /&gt;Noemi Suele Santos Souza&lt;br /&gt;Esther Braga Garcia&lt;/p&gt;
&lt;p&gt;&lt;b&gt;VIOLONCELO&lt;/b&gt;&lt;br /&gt;Fernando Santos da Cruz&lt;br /&gt;Emanuelly Rezende Loiola dos Santos&lt;br /&gt;Nat&amp;atilde; Gern Alves&lt;br /&gt;Thiago Bezerra Lima&lt;br /&gt;Ana Luiza Miranda Martins de Souza&lt;br /&gt;Viviane Passos Ribeiro&lt;/p&gt;
&lt;p&gt;&lt;b&gt;CONTRABAIXO&lt;/b&gt;&lt;br /&gt;Prof. Michael Hochreiter&lt;/p&gt;
&lt;p&gt;&lt;b&gt;REGENTES:&lt;/b&gt;&lt;br /&gt;Adriana Vinand&lt;br /&gt;Belquior Guerrero&lt;/p&gt;</description><pubDate>Mon, 04 May 2026 17:45:01 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/quinta-justa-07-maio</guid></item><item><title>Oficina de Dança renascentista</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/oficina-de-danca-renascentista</link><description>&lt;h4&gt;08/Mai | 07h30 e 18h30 | Audit&amp;oacute;rio do Ciretran&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof. Dr. M&amp;aacute;rio Orlando Mendes Guimar&amp;atilde;es&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Organiza&amp;ccedil;&amp;atilde;o:&lt;/strong&gt; Prof. Roger Ribeiro&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;span&gt;A oficina prop&amp;otilde;e uma experi&amp;ecirc;ncia integrada entre m&amp;uacute;sica e dan&amp;ccedil;a, reunindo instrumentistas e interessados na pr&amp;aacute;tica corporal para explorar, de forma l&amp;uacute;dica e participativa, o repert&amp;oacute;rio de dan&amp;ccedil;as da Europa dos s&amp;eacute;culos XVI e XVII. A atividade articula execu&amp;ccedil;&amp;atilde;o musical e realiza&amp;ccedil;&amp;atilde;o coreogr&amp;aacute;fica, permitindo compreender, na pr&amp;aacute;tica, aspectos fundamentais da interpreta&amp;ccedil;&amp;atilde;o hist&amp;oacute;rica, como andamento, fraseado e articula&amp;ccedil;&amp;atilde;o.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;Voltada tanto a m&amp;uacute;sicos quanto a dan&amp;ccedil;arinos &amp;mdash; ou a qualquer interessado &amp;mdash;, a oficina oferece uma introdu&amp;ccedil;&amp;atilde;o aos princ&amp;iacute;pios da dan&amp;ccedil;a renascentista a partir de fontes hist&amp;oacute;ricas, especialmente os tratados&amp;nbsp;&lt;em&gt;Orch&amp;eacute;sographie&lt;/em&gt;&amp;nbsp;(Thoinot Arbeau, 1589) e&amp;nbsp;&lt;em&gt;The English Dancing Master&lt;/em&gt;&amp;nbsp;(John Playford, 1651). Ao vivenciar simultaneamente som e movimento, os participantes t&amp;ecirc;m a oportunidade de aprofundar sua compreens&amp;atilde;o desse repert&amp;oacute;rio e de seu contexto cultural.&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;h4&gt;&lt;span style="color: #800080;"&gt;&lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSdfSl8Po6NyCl0yL_qmVER4yr_jZfq6F3TR8zKaOeTvEBQPwA/viewform" target="_blank" rel="noopener" style="color: #800080;"&gt;FORMUL&amp;Aacute;RIO DE INSCRI&amp;Ccedil;&amp;Atilde;O&lt;/a&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;img alt="" src="/Media/Fames/Atividades/MARIO_ATIV2.png" /&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;span&gt;M&amp;aacute;rio Orlando Mendes Guimar&amp;atilde;es&lt;/span&gt;&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&amp;eacute; m&amp;uacute;sico multi-instrumentista, especialista em instrumentos e dan&amp;ccedil;as da Renascen&amp;ccedil;a. Mestre em Belas Artes pelo Sarah Lawrence College (EUA), estudou viola da gamba com Judith Davidoff. Atuou por mais de quatro d&amp;eacute;cadas no Conjunto de M&amp;uacute;sica Antiga da UFF, com apresenta&amp;ccedil;&amp;otilde;es no Brasil e no exterior. &amp;Eacute; doutor em Artes (ECA/USP) e realiza p&amp;oacute;s-doutorado no DLCV da FFLCH-USP, com pesquisa sobre o tratado&amp;nbsp;&lt;em&gt;Il Ballarino&lt;/em&gt;, de Fabritio Caroso.&lt;/span&gt;&lt;/p&gt;</description><pubDate>Mon, 04 May 2026 16:57:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/oficina-de-danca-renascentista</guid></item><item><title>Masterclass de Música Antiga</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/masterclass-de-musica-antiga</link><description>&lt;h4&gt;&lt;strong&gt;06/Mai | 17h | Sala 210 (Fames)&lt;/strong&gt;&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;Prof. M&amp;aacute;rio Orlando Mendes Guimar&amp;atilde;es&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Organiza&amp;ccedil;&amp;atilde;o:&lt;/strong&gt;&lt;span&gt;&amp;nbsp;&lt;/span&gt;Prof. Roger Ribeiro&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;Masterclass ministrada pelo Prof. Dr. Mario Orlando Guimar&amp;atilde;es, gambista e ex- integrante do grupo M&amp;uacute;sica Antiga da UFF, voltada ao grupo de m&amp;uacute;sica antiga da institui&amp;ccedil;&amp;atilde;o. A atividade prop&amp;otilde;e uma abordagem pr&amp;aacute;tica e interpretativa do repert&amp;oacute;rio de dan&amp;ccedil;as da Renascen&amp;ccedil;a, com &amp;ecirc;nfase na rela&amp;ccedil;&amp;atilde;o entre pr&amp;aacute;tica instrumental, estilo e historicidade. A partir da experi&amp;ecirc;ncia do ministrante como int&amp;eacute;rprete de viola da gamba e m&amp;uacute;sico atuante em conjunto de refer&amp;ecirc;ncia na &amp;aacute;rea, a masterclass buscar&amp;aacute; refletir sobre aspectos de articula&amp;ccedil;&amp;atilde;o, fraseado, condu&amp;ccedil;&amp;atilde;o r&amp;iacute;tmica, car&amp;aacute;ter dan&amp;ccedil;ante e constru&amp;ccedil;&amp;atilde;o sonora em repert&amp;oacute;rios do s&amp;eacute;culo XVI. Ser&amp;atilde;o discutidos repert&amp;oacute;rios e procedimentos vinculados a g&amp;ecirc;neros como pavana, galliarda, branle, sarabanda e bassa dance, favorecendo uma compreens&amp;atilde;o mais ampla da performance historicamente orientada.&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;span style="color: #800080;"&gt;&lt;a href="https://docs.google.com/forms/d/e/1FAIpQLScx1FoYE133MZHLv8y3P9obUytvRbFnnZA6OC5wnDjQboelLA/viewform" target="_blank" rel="noopener" style="color: #800080;"&gt;FORMUL&amp;Aacute;RIO DE INSCRI&amp;Ccedil;&amp;Atilde;O&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;img alt="" src="/Media/Fames/Atividades/MARIO_ATIV.png" /&gt;&lt;/p&gt;
&lt;p&gt;&lt;span data-slate-fragment="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"&gt;M&amp;aacute;rio Orlando Mendes Guimar&amp;atilde;es &amp;eacute; m&amp;uacute;sico multi-instrumentista, especialista em instrumentos e dan&amp;ccedil;as da Renascen&amp;ccedil;a. Mestre em Belas Artes pelo Sarah Lawrence College (EUA), estudou viola da gamba com Judith Davidoff. Atuou por mais de quatro d&amp;eacute;cadas no Conjunto de M&amp;uacute;sica Antiga da UFF, com apresenta&amp;ccedil;&amp;otilde;es no Brasil e no exterior. &amp;Eacute; doutor em Artes (ECA/USP) e realiza p&amp;oacute;s-doutorado no DLCV da FFLCH-USP, com pesquisa sobre o tratado Il Ballarino, de Fabritio Caroso. &lt;/span&gt;&lt;/p&gt;</description><pubDate>Mon, 04 May 2026 15:59:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/masterclass-de-musica-antiga</guid></item><item><title>Ciclo de Oficinas | Improvisação e ornamentação na música Barroca: uma perspectiva retórica</title><link>https://fames.es.gov.br:443/ciclodeoficinas-musicaantiga</link><description>&lt;div data-slate-node="element"&gt;&lt;span data-slate-node="text"&gt;&lt;strong&gt;Dias 04,&amp;nbsp;11 e 25 de maio |&amp;nbsp;1&amp;ordm; e 8 de junho&amp;nbsp;| 18h | Sala 210 (Fames)&lt;/strong&gt;&lt;/span&gt;&lt;span data-slate-node="text"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;span data-slate-node="text"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;strong&gt;Com:&lt;/strong&gt; Professor Roger Ribeiro&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;hr /&gt;&lt;span data-slate-node="text"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;
&lt;p&gt;Ciclo de encontros em formato master-class dedicado ao estudo e &amp;agrave; pr&amp;aacute;tica da improvisa&amp;ccedil;&amp;atilde;o e ornamenta&amp;ccedil;&amp;atilde;o na m&amp;uacute;sica barroca. A atividade combina exposi&amp;ccedil;&amp;otilde;es te&amp;oacute;ricas curtas, demonstra&amp;ccedil;&amp;otilde;es pr&amp;aacute;ticas e sess&amp;otilde;es de master-class com performances dos(as) discentes seguidas de orienta&amp;ccedil;&amp;atilde;o individual.&lt;/p&gt;
&lt;p&gt;Os encontros est&amp;atilde;o abertos a todos os interessados pelo tema.&lt;/p&gt;
&lt;p&gt;A atividade combina exposi&amp;ccedil;&amp;otilde;es te&amp;oacute;ricas curtas, demonstra&amp;ccedil;&amp;otilde;es pr&amp;aacute;ticas e sess&amp;otilde;es de masterclass com performances dos(as) discentes seguidas de orienta&amp;ccedil;&amp;atilde;o individual. Dividida em quatro ciclos, cada um abordar&amp;aacute; tradi&amp;ccedil;&amp;otilde;es ornamentais distintas:&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;Diminui&amp;ccedil;&amp;otilde;es e ornamenta&amp;ccedil;&amp;atilde;o italiana &amp;mdash; s&amp;eacute;c. XVII;&lt;/li&gt;
&lt;li&gt;Ornamenta&amp;ccedil;&amp;atilde;o francesa;&lt;/li&gt;
&lt;li&gt;Ornamenta&amp;ccedil;&amp;atilde;o italiana &amp;mdash; s&amp;eacute;c. XVIII;&lt;/li&gt;
&lt;li&gt;Ornamenta&amp;ccedil;&amp;atilde;o galante e&amp;nbsp;cadenza ad libitumI.&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;Tamb&amp;eacute;m incluir&amp;aacute; exerc&amp;iacute;cios pr&amp;aacute;ticos, leituras de partitura com alternativas de ornamenta&amp;ccedil;&amp;atilde;o e trabalho em pequenos grupos/duos para aplica&amp;ccedil;&amp;atilde;o ao repert&amp;oacute;rio de c&amp;acirc;mera.&lt;/p&gt;
&lt;/div&gt;
&lt;hr /&gt;
&lt;h3 data-slate-node="element"&gt;&lt;span style="color: #800080;"&gt;&lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSfb6k9d2JnODBamHW8noAElfW1IU8wu4i-8HhQIs3mnikHZlA/viewform" target="_blank" rel="noopener" style="color: #800080;"&gt;FORMUL&amp;Aacute;RIO DE INSCRI&amp;Ccedil;&amp;Atilde;O&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;div data-slate-node="element"&gt;&lt;hr /&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;span data-slate-node="text"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;span data-slate-node="text"&gt;Atualmente professor de pedagogia da performance e express&amp;atilde;o corporal na Faculdade de M&amp;uacute;sica do Espirito Santo Mauricio de Oliveira, &lt;strong&gt;Roger Ribeiro&lt;/strong&gt; possui uma vasta experi&amp;ecirc;ncia como m&amp;uacute;sico de c&amp;acirc;mara, recitalista e solista, tendo atuado em mais de 390 concertos, incluindo produ&amp;ccedil;&amp;otilde;es de &amp;oacute;pera, bal&amp;eacute; e outros espet&amp;aacute;culos. Foi professor de violino do Departamento de M&amp;uacute;sica (CMU) da Escola de Comunica&amp;ccedil;&amp;otilde;es e Artes da Universidade de S&amp;atilde;o Paulo (2025) e do Departamento de M&amp;uacute;sica (DMUSI) da Universidade Federal de S&amp;atilde;o Jo&amp;atilde;o del-Rei (2022).&lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;span data-slate-node="text"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;span data-slate-node="text"&gt;&amp;Eacute; mestre e doutorando em musicologia pela ECA-USP, graduado em violino barroco pela classe do professor Lu&amp;iacute;s Ot&amp;aacute;vio Santos na EMESP (2015) e licenciado em m&amp;uacute;sica pela Escola de M&amp;uacute;sica da UFRJ (2016). Em junho de 2022, recebeu uma bolsa para estudos intensivos de m&amp;uacute;sica barroca francesa no Centre de Musique Baroque de Versailles, onde trabalhou com mestres como St&amp;eacute;phanie-Marie Degand, Mira Glodeanu, Julien Chauvin, Benjamin Ch&amp;eacute;nier e Patrick Coh&amp;euml;n-Akenine. No m&amp;ecirc;s seguinte, integrou a Orchestre Baroque da Akademie Versailles no Conservat&amp;oacute;rio de Praga e no Festival de V&amp;aacute;c, na Hungria. Em 2023, aperfei&amp;ccedil;oou-se no violino barroco durante seis meses com Mira Glodeanu, estudou cordas barrocas e m&amp;uacute;sica de c&amp;acirc;mara com Beno&amp;icirc;t Douchy e aprofundou-se em ornamenta&amp;ccedil;&amp;atilde;o e improvisa&amp;ccedil;&amp;atilde;o na classe de Beno&amp;icirc;t Laurent, no Departamento de M&amp;uacute;sica Antiga do Conservat&amp;oacute;rio Real de Bruxelas.&lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;span data-slate-node="text"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element"&gt;&lt;span data-slate-node="text"&gt; &lt;/span&gt;&lt;/div&gt;
&lt;div data-slate-node="element" 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GZXN0aXZhbCUyMGRlJTIwViVDMyVBMWMlMkMlMjBuYSUyMEh1bmdyaWEuJTIwRW0lMjAyMDIzJTJDJTIwYXBlcmZlaSVDMyVBN29vdS1zZSUyMG5vJTIwdmlvbGlubyUyMGJhcnJvY28lMjBkdXJhbnRlJTIwc2VpcyUyMG1lc2VzJTIwY29tJTIwTWlyYSUyMEdsb2RlYW51JTJDJTIwZXN0dWRvdSUyMGNvcmRhcyUyMGJhcnJvY2FzJTIwZSUyMG0lQzMlQkFzaWNhJTIwZGUlMjBjJUMzJUEybWFyYSUyMGNvbSUyMEJlbm8lQzMlQUV0JTIwRG91Y2h5JTIwZSUyMGFwcm9mdW5kb3Utc2UlMjBlbSUyMG9ybmFtZW50YSVDMyVBNyVDMyVBM28lMjBlJTIwaW1wcm92aXNhJUMzJUE3JUMzJUEzbyUyMG5hJTIwY2xhc3NlJTIwZGUlMjBCZW5vJUMzJUFFdCUyMExhdXJlbnQlMkMlMjBubyUyMERlcGFydGFtZW50byUyMGRlJTIwTSVDMyVCQXNpY2ElMjBBbnRpZ2ElMjBkbyUyMENvbnNlcnZhdCVDMyVCM3JpbyUyMFJlYWwlMjBkZSUyMEJydXhlbGFzLiUyMiU3RCU1RCU3RCUyQyU3QiUyMnR5cGUlMjIlM0ElMjJwJTIyJTJDJTIyY2hpbGRyZW4lMjIlM0ElNUIlN0IlMjJ0ZXh0JTIyJTNBJTIyJTIyJTdEJTVEJTdEJTJDJTdCJTIydHlwZSUyMiUzQSUyMnAlMjIlMkMlMjJjaGlsZHJlbiUyMiUzQSU1QiU3QiUyMnRleHQlMjIlM0ElMjIlMjIlN0QlNUQlN0QlMkMlN0IlMjJ0eXBlJTIyJTNBJTIycCUyMiUyQyUyMmNoaWxkcmVuJTIyJTNBJTVCJTdCJTIydGV4dCUyMiUzQSUyMkR1cmFudGUlMjBzdWElMjBlc3RhZGlhJTIwZW0lMjBCcnV4ZWxhcyUyQyUyMG1hbnRldmUlMjB1bWElMjBpbnRlbnNhJTIwYWdlbmRhJTIwY29tbyUyMG0lQzMlQkFzaWNvJTIwZGUlMjBjJUMzJUEybWFyYSUyQyUyMHNvbGlzdGElMjBlJTIwaW50ZWdyYW50ZSUyMGRvJTIwbmFpcGUlMjBkZSUyMHByaW1laXJvcyUyMHZpb2xpbm9zJTIwZGElMjBPcnF1ZXN0cmElMjBkZSUyME0lQzMlQkFzaWNhJTIwQW50aWdhJTIwZG8lMjBDb25zZXJ2YXQlQzMlQjNyaW8uJTIwQ29tbyUyMHNvbGlzdGElMkMlMjBsaWRlcm91JTIwYSUyME9yY2hlc3RyZSUyMEJhcm9xdWUlMjBkYSUyMFVOSVJJTyUyMChPQlUpJTJDJTIwZ3JhdmFuZG8lMjBwYXJhJTIwbyUyMHByb2dyYW1hJTIwUGFydGl0dXJhcyUyMGRhJTIwVFYlMjBCcmFzaWwlMjBvJTIwQ29uY2VydG8lMjBPcHVzJTIwVklJJTIwbiVDMiVCQSUyMDUlMjBkZSUyMEplYW4tTWFyaWUlMjBMZWNsYWlyJTIwKDIwMTgpLiUyMENvbSUyMG8lMjBjb25qdW50byUyMGRlJTIwbSVDMyVCQXNpY2ElMjBhbnRpZ2ElMjBkYSUyMFVTUCUyMChFT1MpJTJDJTIwcGFydGljaXBvdSUyMGRhJTIwcHJpbWVpcmElMjBleGVjdSVDMyVBNyVDMyVBM28lMjBzdWwtYW1lcmljYW5hJTIwZGElMjBSb21hbnphJTIwT3AuJTIwNTAlMjBkZSUyMEJlZXRob3ZlbiUyMGVtJTIwaW5zdHJ1bWVudG9zJTIwaGlzdCVDMyVCM3JpY29zLiUyMEVtJTIwMjAxNyUyQyUyMGF0dW91JTIwY29tJTIwbyUyMGNvbmp1bnRvJTIwZGUlMjBhbHVub3MlMjBkbyUyMEZlc3RpdmFsJTIwUGFlc2FnZ2klMjBNdXNpY2FsaSUyMFRvc2NhbmklMjAoU2FuJTIwUXVpcmljbyUyMEQnT3JjaWElMjAtJTIwU2llbmElMkMlMjBJdCVDMyVBMWxpYSkuJTIwRGVzZGUlMjAyMDExJTJDJTIwJUMzJUE5JTIwcHJpbWVpcm8lMjB2aW9saW5vJTIwZGElMjBPcmNoZXN0cmUlMjBCYXJvcXVlJTIwZGElMjBVTklSSU8lMjBlJTJDJTIwZGVzZGUlMjAyMDE5JTJDJTIwaW50ZWdyYSUyMG8lMjBFT1MuJTIwRW0lMjBkZXplbWJybyUyMGRlJTIwMjAyMiUyQyUyMGZvaSUyMHByaW1laXJvJTIwdmlvbGlubyUyMG5hJTIwcHJvZHUlQzMlQTclQzMlQTNvJTIwZGElMjAlQzMlQjNwZXJhJTIwYmFycm9jYSUyMEFybWlkZSUyQyUyMHF1ZSUyMGVuY2Vycm91JTIwbyUyMEZlc3RpdmFsJTIwZGUlMjAlQzMlOTNwZXJhJTIwZG8lMjBUaGVhdHJvJTIwZGElMjBQYXolMkMlMjBlbSUyMEJlbCVDMyVBOW0uJTIwJTIyJTdEJTVEJTdEJTVE"&gt;&lt;span data-slate-node="text"&gt;Durante sua estadia em Bruxelas, manteve uma intensa agenda como m&amp;uacute;sico de c&amp;acirc;mara, solista e integrante do naipe de primeiros violinos da Orquestra de M&amp;uacute;sica Antiga do Conservat&amp;oacute;rio. Como solista, liderou a Orchestre Baroque da UNIRIO (OBU), gravando para o programa Partituras da TV Brasil o Concerto Opus VII n&amp;ordm; 5 de Jean-Marie Leclair (2018). Com o conjunto de m&amp;uacute;sica antiga da USP (EOS), participou da primeira execu&amp;ccedil;&amp;atilde;o sul-americana da Romanza Op. 50 de Beethoven em instrumentos hist&amp;oacute;ricos. Em 2017, atuou com o conjunto de alunos do Festival Paesaggi Musicali Toscani (San Quirico D'Orcia - Siena, It&amp;aacute;lia). Desde 2011, &amp;eacute; primeiro violino da Orchestre Baroque da UNIRIO e, desde 2019, integra o EOS. Em dezembro de 2022, foi primeiro violino na produ&amp;ccedil;&amp;atilde;o da &amp;oacute;pera barroca Armide, que encerrou o Festival de &amp;Oacute;pera do Theatro da Paz, em Bel&amp;eacute;m. &lt;/span&gt;&lt;/div&gt;</description><pubDate>Thu, 30 Apr 2026 19:13:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/ciclodeoficinas-musicaantiga</guid></item><item><title>Festival Escuta Aqui! 2026</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/festival-escuta-aqui-2026</link><description>&lt;h4 style="text-align: left;"&gt;&lt;strong&gt;Chamada aberta para envio de obras para serem tocadas na 7&amp;ordf; edi&amp;ccedil;&amp;atilde;o do Festival Escuta Aqui.&lt;/strong&gt;&lt;/h4&gt;
&lt;p dir="ltr" style="text-align: left;"&gt;&lt;span&gt;O Festival Escuta Aqui!, em parceria com a Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo &amp;ldquo;Maur&amp;iacute;cio de Oliveira&amp;rdquo; (FAMES),&amp;nbsp; a Funda&amp;ccedil;&amp;atilde;o de Amparo &amp;agrave; Pesquisa do Esp&amp;iacute;rito Santo (FAPES), e a Sociedade Brasileira de M&amp;uacute;sica Eletroac&amp;uacute;stica (SBME) convida compositores a enviar obras para serem apresentadas na s&amp;eacute;tima edi&amp;ccedil;&amp;atilde;o do festival, que acontecer&amp;aacute; entre os dias 2 a 4 de setembro de 2026 na cidade de Vit&amp;oacute;ria/ES.&lt;/span&gt;&lt;/p&gt;
&lt;p dir="ltr" style="text-align: left;"&gt;&lt;span&gt;&lt;strong&gt;Prazo para submiss&amp;atilde;o:&lt;/strong&gt; at&amp;eacute; o dia 03 de julho de 2026.&amp;nbsp;&lt;/span&gt;&lt;a href="https://drive.google.com/file/d/1OYnTTWNxtETFuZEw-ylGBmvsk-bIx1kN/view" target="_blank" rel="noopener"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;p dir="ltr" style="text-align: left;"&gt;&lt;span&gt;&lt;strong&gt;Festival:&lt;/strong&gt; De&amp;nbsp;2 a 4 de setembro de 2026&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;span style="color: #800000;"&gt;&lt;a href="https://drive.google.com/file/d/1OYnTTWNxtETFuZEw-ylGBmvsk-bIx1kN/view" target="_blank" rel="noopener" style="color: #800000;"&gt;Baixar Chamada&lt;/a&gt; |&amp;nbsp;&lt;a href="/escutaaqui2026-convidados" target="_blank" rel="noopener" style="color: #800000;"&gt;Convidados&lt;/a&gt; | &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSeJEaSKm01_oqYZykjV9zSIAc4Q34e_lWtpMB9OlruEBU98nw/viewform" target="_blank" rel="noopener" style="color: #800000;"&gt;Inscreva aqui a sua obra&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table border="0" style="height: 87px; width: 782px; border-collapse: collapse;" height="87"&gt;
&lt;tbody&gt;
&lt;tr&gt;
&lt;td style="width: 153.188px; text-align: center;"&gt;&lt;img width="148" height="120" alt="" src="/Media/Fames/Atividades/SESC__.png" /&gt;&lt;/td&gt;
&lt;td style="width: 153.188px; text-align: center;"&gt;&lt;img width="149" height="120" alt="" src="/Media/Fames/Atividades/sbme_logo.png" /&gt;&lt;/td&gt;
&lt;td style="width: 153.188px; text-align: center;"&gt;&lt;img width="180" height="120" alt="" src="/Media/Fames/Atividades/fapes_logo_.png" /&gt;&lt;/td&gt;
&lt;td style="width: 153.188px; text-align: center;"&gt;&lt;img width="189" height="120" alt="" src="/Media/Fames/Atividades/fames_fea.png" /&gt;&lt;/td&gt;
&lt;td style="width: 153.25px; text-align: center;"&gt;&lt;img width="180" height="121" alt="" src="/Media/Fames/Atividades/governo___fea.png" /&gt;&lt;/td&gt;
&lt;/tr&gt;
&lt;/tbody&gt;
&lt;/table&gt;</description><pubDate>Tue, 28 Apr 2026 14:30:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/festival-escuta-aqui-2026</guid></item><item><title>Audições Seletivas | Banda Sinfônica da Fames</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/audicoes-seletivas-banda-sinfonica-da-fames</link><description>&lt;h4&gt;&lt;span&gt;Audi&amp;ccedil;&amp;atilde;o seletiva para o preenchimento de vagas para monitores bolsistas da Banda Sinf&amp;ocirc;nica da Fames&lt;/span&gt;&lt;/h4&gt;
&lt;p&gt;&lt;span style="color: #993300;"&gt;&lt;a href="/Media/Fames/2026/Editais_2026/basf/Edital_-_BASF_-_001_-_2026.docx_(1).pdf" style="color: #993300;" target="_blank" rel="noopener"&gt;Baixar Edital&lt;/a&gt; | &lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSeNN77Zplh8Oj62Dwd0BY4Y0Fp9wmDr5wdWJhZ3QUTsKZSNpg/viewform" style="color: #993300;" target="_blank" rel="noopener"&gt;Formul&amp;aacute;rio de Inscri&amp;ccedil;&amp;atilde;o&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Inscri&amp;ccedil;&amp;otilde;es:&lt;/strong&gt; De 09 a 13 de abril de 2026&lt;/p&gt;
&lt;p&gt;Vagas:&amp;nbsp;Clarinete,&amp;nbsp;Flauta transversal, Obo&amp;eacute;,&amp;nbsp;Fagote,&amp;nbsp;Saxofone,&amp;nbsp;Trompa,&amp;nbsp;Trompete,&amp;nbsp;Trombone,&amp;nbsp;Percuss&amp;atilde;o e Contrabaixo.&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;</description><pubDate>Thu, 09 Apr 2026 17:29:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/audicoes-seletivas-banda-sinfonica-da-fames</guid></item><item><title>Semana da Voz 2026</title><link>https://fames.es.gov.br:443/semanadavoz2026</link><description>&lt;h3&gt;&lt;b&gt;Semana Mundial da Voz &amp;ndash; Vit&amp;oacute;ria 2026: Conex&amp;otilde;es que Ecoam&lt;/b&gt;&lt;/h3&gt;
&lt;p&gt;&lt;b&gt;De 14 a 18 de abril de 2026 | Centro de Vit&amp;oacute;ria&lt;/b&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Realiza&amp;ccedil;&amp;atilde;o:&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo Maur&amp;iacute;cio de Oliveira (Fames) e Escola T&amp;eacute;cnica Municipal de Teatro, Dan&amp;ccedil;a e M&amp;uacute;sica (Fafi)&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Apoio Cultural:&lt;/b&gt;&amp;nbsp;Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral, Museu Capixaba do Negro - MUCANE, Mercado da Capixaba, Instituto Alpha e FETES &amp;ndash; Faculdade de Educa&amp;ccedil;&amp;atilde;o e Tecnologia do Esp&amp;iacute;rito Santo&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;span style="color: #008080;"&gt;&lt;strong&gt;&lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSejkWgxAbLyGcq3QnAI6hUgpbY24LHvFObs_3lCKo3XSo-_3g/viewform" target="_blank" rel="noopener" style="color: #008080;"&gt;Inscri&amp;ccedil;&amp;otilde;es&lt;/a&gt; | &lt;span style="color: #008080;"&gt;&lt;a href="#locais" style="color: #008080;"&gt;Locais&lt;/a&gt; &lt;/span&gt;| &lt;a href="/semana-da-voz-2026-convidados" target="_blank" rel="noopener" style="color: #008080;"&gt;Convidados&lt;/a&gt; | &lt;a href="#programacao" style="color: #008080;"&gt;Programa&amp;ccedil;&amp;atilde;o&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;A &lt;/span&gt;&lt;b&gt;Semana Mundial da Voz 2026&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; surge da necessidade de fortalecer a&amp;ccedil;&amp;otilde;es integradas que promovam a reflex&amp;atilde;o, a forma&amp;ccedil;&amp;atilde;o e o cuidado com a voz humana, reconhecida como instrumento fundamental de express&amp;atilde;o art&amp;iacute;stica, identidade cultural, comunica&amp;ccedil;&amp;atilde;o e sa&amp;uacute;de. A iniciativa re&amp;uacute;ne a expertise da &lt;/span&gt;&lt;b&gt;FAMES&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; e da &lt;/span&gt;&lt;b&gt;FAFI&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;, institui&amp;ccedil;&amp;otilde;es p&amp;uacute;blicas de refer&amp;ecirc;ncia na forma&amp;ccedil;&amp;atilde;o musical, teatral e corporal no Esp&amp;iacute;rito Santo, ampliando seu impacto social por meio do apoio Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral, Museu Capixaba do Negro - MUCANE, Mercado da Capixaba, Instituto Alpha e FETES &amp;ndash; Faculdade de Educa&amp;ccedil;&amp;atilde;o e Tecnologia do Esp&amp;iacute;rito Santo, importantes espa&amp;ccedil;os de conviv&amp;ecirc;ncia, cultura e circula&amp;ccedil;&amp;atilde;o de p&amp;uacute;blicos no centro hist&amp;oacute;rico de Vit&amp;oacute;ria.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;A voz est&amp;aacute; presente no cotidiano de artistas, educadores, estudantes, comunicadores e trabalhadores em geral, sendo essencial para o exerc&amp;iacute;cio profissional e para a participa&amp;ccedil;&amp;atilde;o social. No entanto, ainda h&amp;aacute; car&amp;ecirc;ncia de a&amp;ccedil;&amp;otilde;es acess&amp;iacute;veis que articulem arte, ci&amp;ecirc;ncia, educa&amp;ccedil;&amp;atilde;o e sa&amp;uacute;de vocal de forma democr&amp;aacute;tica e interdisciplinar.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Ao longo de cinco dias, a Semana Mundial promover&amp;aacute; encontros entre artistas consagrados, docentes, pesquisadores, profissionais da sa&amp;uacute;de, estudantes e corais comunit&amp;aacute;rios, por meio de atividades formativas e art&amp;iacute;sticas gratuitas ou de amplo acesso. A ocupa&amp;ccedil;&amp;atilde;o de espa&amp;ccedil;os como a&lt;/span&gt;&lt;b&gt; FAMES, &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;a&lt;/span&gt;&lt;b&gt; FAFI, &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;&amp;nbsp;a &lt;/span&gt;&lt;b&gt;Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral&lt;/b&gt;&lt;span style="font-weight: 400;"&gt;, o &lt;/span&gt;&lt;b&gt;Mercado da Capixaba e o MUCANE&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; refor&amp;ccedil;a o compromisso do projeto com a democratiza&amp;ccedil;&amp;atilde;o da cultura, a valoriza&amp;ccedil;&amp;atilde;o do patrim&amp;ocirc;nio cultural e a aproxima&amp;ccedil;&amp;atilde;o entre arte e comunidade.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Promover a &lt;/span&gt;&lt;b&gt;Semana Mundial da Voz 2026&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; como um espa&amp;ccedil;o de forma&amp;ccedil;&amp;atilde;o, reflex&amp;atilde;o, cuidado, cria&amp;ccedil;&amp;atilde;o e celebra&amp;ccedil;&amp;atilde;o da voz, integrando arte, sa&amp;uacute;de e educa&amp;ccedil;&amp;atilde;o, por meio da parceria entre FAMES, FAFI.&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Objetivos Espec&amp;iacute;ficos&lt;/b&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Difundir conhecimentos sobre sa&amp;uacute;de vocal e preven&amp;ccedil;&amp;atilde;o de dist&amp;uacute;rbios da voz;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;Oferecer oficinas pr&amp;aacute;ticas integrando voz, corpo, respira&amp;ccedil;&amp;atilde;o e movimento;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Estimular o interc&amp;acirc;mbio entre estudantes, professores, artistas, profissionais da sa&amp;uacute;de e corais comunit&amp;aacute;rios&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Valorizar a voz como elemento central da cria&amp;ccedil;&amp;atilde;o art&amp;iacute;stica e da identidade cultural;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Democratizar o acesso a atividades culturais e formativas em espa&amp;ccedil;os p&amp;uacute;blicos e culturais;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Fortalecer redes de colabora&amp;ccedil;&amp;atilde;o entre institui&amp;ccedil;&amp;otilde;es p&amp;uacute;blicas de ensino art&amp;iacute;stico e equipamentos culturais.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;b&gt;P&amp;uacute;blico-Alvo&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;ul&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Estudantes de m&amp;uacute;sica, teatro e dan&amp;ccedil;a;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Professores e educadores;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Artistas e grupos vocais;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Corais comunit&amp;aacute;rios;&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;Profissionais da sa&amp;uacute;de (fonoaudi&amp;oacute;logos, otorrinolaringologistas, nutricionistas);&lt;/span&gt;&lt;/li&gt;
&lt;li&gt;&lt;span style="font-weight: 400;"&gt;P&amp;uacute;blico em geral interessado em arte, cultura e sa&amp;uacute;de vocal.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;b&gt;&lt;/b&gt;&lt;/span&gt;&lt;/li&gt;
&lt;/ul&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;&lt;b&gt;Import&amp;acirc;ncia Social&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;A Semana Mundial da Voz 2026 contribui para a democratiza&amp;ccedil;&amp;atilde;o do acesso &amp;agrave; cultura e ao conhecimento, promovendo a inclus&amp;atilde;o, a preven&amp;ccedil;&amp;atilde;o em sa&amp;uacute;de vocal e a valoriza&amp;ccedil;&amp;atilde;o da arte como direito social. Ao ocupar espa&amp;ccedil;os p&amp;uacute;blicos e culturais da cidade, fortalece o v&amp;iacute;nculo entre cultura, territ&amp;oacute;rio e comunidade, ampliando o impacto social das institui&amp;ccedil;&amp;otilde;es p&amp;uacute;blicas envolvidas.&lt;a id="programacao"&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;h3&gt;&lt;span style="color: #000000;"&gt;&lt;a href="https://drive.google.com/file/d/1X_4ksEiPG47I60IEf0fsw44fYg3-ZtsC/view?usp=sharing" target="_blank" rel="noopener" style="color: #000000;"&gt;&lt;strong&gt;Programa&amp;ccedil;&amp;atilde;o | BAIXAR PDF&lt;/strong&gt;&lt;/a&gt;&lt;/span&gt;&lt;/h3&gt;
&lt;p&gt;&lt;span style="color: #000000;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;
&lt;h4&gt;&lt;span style="background-color: #008080; color: #ffffff;"&gt;&lt;strong&gt;Ter&amp;ccedil;a-feira, 14 de abril&lt;/strong&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;09h &amp;agrave;s 12h:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Abertura oficial |&lt;/strong&gt;&amp;nbsp;&lt;strong&gt;Palestra:&lt;/strong&gt; &amp;ldquo;Sa&amp;uacute;de Vocal em Foco&amp;rdquo;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Dra. Flavia Ribeiro Vieira Gomes de Freitas (Otorrinolaringologia)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Mesa-redonda:&lt;/strong&gt; &amp;ldquo;Um olhar sobre a voz: import&amp;acirc;ncia e cuidados&amp;rdquo;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Media&amp;ccedil;&amp;atilde;o:&lt;/strong&gt; Professoras Elaine Rowena Scarpe e Anna Claudia Perim Vidigal.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Convidados:&lt;/strong&gt; &amp;nbsp;Dr&amp;ordf;&amp;nbsp;Ros&amp;aacute;rio Porcel Millares (Fonoaudi&amp;oacute;loga, especialista em voz) |Prof.&amp;ordf; M&amp;ordf; Lorena Espina (Cantora L&amp;iacute;rica e especialista em voz) | Prof. Alessandro Santana (Cantor L&amp;iacute;rico e especialista em voz) e Prof. Abner Calil (Vocal Coach)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Sala de Concerto Alceu Camargo, Fames&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;14h &amp;agrave;s 17h:&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Masterclass: &lt;/strong&gt;Mentoria para v&amp;iacute;deos cantados para plataformas digitais&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof. Lui Andrade (SP) (Cantor e Mentor Vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Sala Milson Henriques, Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;18h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Encontro de Corais:&lt;/strong&gt; Corais em Conex&amp;atilde;o: Vozes que se entrela&amp;ccedil;am&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Corais:&lt;/strong&gt; Fafi, Fames, Ufes, Triplex, Serenata D&amp;rsquo;Favela e S&amp;atilde;o Francisco&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; P&amp;aacute;tio Alexandre Lima, Mercado da Capixaba&lt;/p&gt;
&lt;hr /&gt;
&lt;h4&gt;&lt;span style="background-color: #008080; color: #ffffff;"&gt;&lt;strong&gt;Quarta-feira, 15 de abril&lt;/strong&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;09h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Palestra:&lt;/strong&gt; "Vozes Trans: Quando a Voz Encontra a Identidade"&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Dr. Jo&amp;atilde;o Lopes (RJ) (Fonoaudi&amp;oacute;logo, especialista em voz falada - Cis e Trans - e pesquisador)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral,&amp;nbsp;Foyer superior&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;14h &amp;agrave;s 15h30&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Oficina 01: &lt;/strong&gt;Tons e sons: harmonia da voz&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Maestro Cl&amp;aacute;udio Modesto (Maestro e preparador vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Oficina 02:&lt;/strong&gt; Respira&amp;ccedil;&amp;atilde;o: a usina da vida&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof&amp;ordf; Elaine Rowena Scarpe (Cantora l&amp;iacute;rica, voice coach e preparadora de elenco)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Oficina 02: &lt;/strong&gt;Corpo Solto, Voz Plena&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com: &lt;/strong&gt;Prof&amp;ordf; Lalau Martins (Core&amp;oacute;grafa e preparadora de musicais)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Escola T&amp;eacute;cnica de Teatro, Dan&amp;ccedil;a e M&amp;uacute;sica&amp;nbsp;(Fafi)&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;16h &amp;agrave;s 17h30&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Oficina 01: &lt;/strong&gt;A plenitude do cantar na maturidade&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com: &lt;/strong&gt;Maestro Jean Molinari (Maestro, arranjador e preparador vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Oficina 02:&lt;/strong&gt; A voz no espa&amp;ccedil;o da cria&amp;ccedil;&amp;atilde;o&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof. Matheus Oliveira (Cantor e preparador vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Oficina 03:&lt;/strong&gt; O corpo que canta&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof Gil Mendes (Core&amp;oacute;grafo e pesquisador de vertentes afro-brasileiras)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Escola T&amp;eacute;cnica de Teatro, Dan&amp;ccedil;a e M&amp;uacute;sica (Fafi)&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;18h30 &amp;agrave;s 20h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Palestra e Viv&amp;ecirc;ncia: A Ancestralidade Canta: Ra&amp;iacute;zes Africanas da Voz Brasileira&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof. C&amp;eacute;sar Huapaya (Diretor c&amp;ecirc;nico e pesquisador)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Audit&amp;oacute;rio do MUCANE&lt;/p&gt;
&lt;p&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Palestra 01: &lt;/strong&gt;Horm&amp;ocirc;nios e voz: Quando a altera&amp;ccedil;&amp;atilde;o pode ser irrevers&amp;iacute;vel&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Dr&amp;ordf; Christiane Saliba (Otorrinolaringologista)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Palestra 02:&lt;/strong&gt; Condicionamento vocal para cantores sob o olhar da fonoaudiologia&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Dr&amp;ordf; Jamile Rossi (Fonoaudi&amp;oacute;loga especialista em voz profissional)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Escola T&amp;eacute;cnica de Teatro, Dan&amp;ccedil;a e M&amp;uacute;sica (Fafi)&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;19h &amp;agrave;s 20h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Recital de Canto L&amp;iacute;rico: &lt;/strong&gt;Nossa Terra: vozes e can&amp;ccedil;&amp;otilde;es brasileiras em concerto&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Classes de Canto l&amp;iacute;rico da FAMES e convidados&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Audit&amp;oacute;rio da CIRETRAN, Centro, Vit&amp;oacute;ria&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;20h30 &amp;agrave;s 22h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Palestra 01: &lt;/strong&gt;As vozes do corpo&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com: &lt;/strong&gt;Prof&amp;ordf; Carla Van Den Bergen (Professora de Artes C&amp;ecirc;nicas, core&amp;oacute;grafa e especialista em Arte e Educa&amp;ccedil;&amp;atilde;o)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Palestra 02: &lt;/strong&gt;A import&amp;acirc;ncia da nutri&amp;ccedil;&amp;atilde;o para a sa&amp;uacute;de vocal&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Dr&amp;ordf; Camila Gomes&amp;nbsp;(Nutricionista)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Escola T&amp;eacute;cnica de Teatro, Dan&amp;ccedil;a e M&amp;uacute;sica (Fafi)&lt;/p&gt;
&lt;hr /&gt;
&lt;h4&gt;&lt;span style="background-color: #008080; color: #ffffff;"&gt;&lt;strong&gt;Quinta-feira, 16 de abril&lt;/strong&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;9h &amp;agrave;s 12h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Masterclass: &lt;/strong&gt;Do Sil&amp;ecirc;ncio ao Palco: Despertando a Voz e a Presen&amp;ccedil;a C&amp;ecirc;nica&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt;Prof. Juliano Barcelos (Cantor L&amp;iacute;rico, regente e preparador vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Sala Milson Henriques, Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;14h &amp;agrave;s 17h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Masterclass: &lt;/strong&gt;Prepara&amp;ccedil;&amp;atilde;o vocal para profissionais da voz (Canto Popular)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof Lui Andrade (SP)&amp;nbsp;(Cantor e Mentor Vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Laborat&amp;oacute;rio de M&amp;uacute;sica Fames&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Masterclass: &lt;/strong&gt;Aspectos t&amp;eacute;cnicos da voz l&amp;iacute;rica e popular&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof&amp;ordf; M&amp;ordf; Lorena Espina (Cantora L&amp;iacute;rica e especialista em voz)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Sala Milson Henriques, Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;18h30&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Espet&amp;aacute;culo: &lt;/strong&gt;Casas do Brasil&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Classes de Canto Popular &amp;ndash; Fames | Participa&amp;ccedil;&amp;atilde;o Especial: Edson Papo Furado, Kleber Simpatia,&amp;nbsp;Danilo C&amp;eacute;sar, Emerson Xumbrega e Maestro Christian Rodrigues&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Sala de Concerto Alceu Carmargo, Fames&lt;/p&gt;
&lt;hr /&gt;
&lt;h4&gt;&lt;span style="background-color: #008080; color: #ffffff;"&gt;&lt;strong&gt;Sexta-feira, 17 de abril&lt;/strong&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;9h &amp;agrave;s 12h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Masterclass: &lt;/strong&gt;Canto Gospel e Belting Contempor&amp;acirc;neo: Pot&amp;ecirc;ncia, T&amp;eacute;cnica e Express&amp;atilde;o&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com: &lt;/strong&gt;Prof&amp;ordf; M&amp;ordf; Fernanda Santana (Cantora, regente e preparadora vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral (Foyer superior)&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;9h &amp;agrave;s 11h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Palestra: &lt;/strong&gt;A comunica&amp;ccedil;&amp;atilde;o e a orat&amp;oacute;ria para o desenvolvimento profissional&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof. Ubiratan Miranda (Palestrante e coach)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Audit&amp;oacute;rio da CIRETRAN, Centro, Vit&amp;oacute;ria&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;14h &amp;agrave;s 17h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Masterclass:&lt;/strong&gt; A presen&amp;ccedil;a c&amp;ecirc;nica como ferramenta dos saberes vocais&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof.&amp;ordf; Ver&amp;ocirc;nica Gomes (Atriz, produtora e preparadora de elenco)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Casa de M&amp;uacute;sica S&amp;ocirc;nia Cabral (Foyer superior)&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;20h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Apresenta&amp;ccedil;&amp;atilde;o: &lt;/strong&gt;Bailinho Disco Club: as vozes dos anos 80&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt;Aguilar Alves, Ana Paula Morais, Ana Schulz, Anderson Valverde, Anthony Alto&amp;eacute;, Ariana Barbosa, Azul, Cadu Caruzo, Cl&amp;aacute;udio Bocca, Ed&amp;eacute;sio Fraga, Elaine Rowena, Eug&amp;ecirc;nio Goulart, Gardenia Marques, Graciella D&amp;rsquo;Ferraz, Jon Santos, Juca Magalh&amp;atilde;es, Kamale, Karla Skarine, K&amp;eacute;zia Simonelli, Luma Frisso, Lui Andrade, Marcelo Ribeiro, Mateus Ivolare, Max Ferreira, Philipe Scari, Ronaldo Rossman, Sim&amp;ocirc;ne Deevens, Emerson Dias e Tati Vidal.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local: &lt;/strong&gt;Anfiteatro da&amp;nbsp;Escola T&amp;eacute;cnica de Teatro, Dan&amp;ccedil;a e M&amp;uacute;sica&amp;nbsp;(Fafi)&lt;/p&gt;
&lt;hr /&gt;
&lt;h4&gt;&lt;span style="background-color: #008080; color: #ffffff;"&gt;&lt;strong&gt;S&amp;aacute;bado, 18 de abril&lt;/strong&gt;&lt;/span&gt;&lt;/h4&gt;
&lt;p&gt;&lt;strong&gt;9h &amp;agrave;s 11h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Masterclass: &lt;/strong&gt;Pedagogia Vocal: Caminhos para a Constru&amp;ccedil;&amp;atilde;o de uma Voz Saud&amp;aacute;vel e Expressiva&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&lt;/strong&gt; Prof.&amp;ordf; Tati Vidal (RJ) (Cantora, fonoaudi&amp;oacute;loga e especialista em pedagogia vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Palestra: &lt;/strong&gt;Mulheres Trans: Voz, conquistas e desafios&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&amp;nbsp;&lt;/strong&gt;Prof.&amp;ordf; Vivian Fr&amp;oacute;es (RJ) (Cantora l&amp;iacute;rica, regente e preparadora vocal)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Sala de Concerto Alceu Camargo, Fames&lt;/p&gt;
&lt;hr /&gt;
&lt;p&gt;&lt;strong&gt;19h&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Show e roda de conversa:&amp;nbsp;&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Com:&amp;nbsp;&lt;/strong&gt;Trio Maw&amp;eacute;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Participa&amp;ccedil;&amp;atilde;o:&lt;/strong&gt; Vivian Fr&amp;oacute;es (RJ)&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Local:&lt;/strong&gt; Anfiteatro da Fafi&lt;a id="locais"&gt;&lt;/a&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;h3&gt;&lt;strong&gt;Locais:&lt;/strong&gt;&lt;/h3&gt;
&lt;p&gt;&lt;span&gt;&lt;strong&gt;Faculdade de M&amp;uacute;sica do Esp&amp;iacute;rito Santo&lt;/strong&gt; -&amp;nbsp;Pra&amp;ccedil;a Am&amp;eacute;rico Poli Monjardim, 60 - Centro, Vit&amp;oacute;ria - ES&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span style="font-weight: 400;"&gt;&lt;strong&gt;Escola T&amp;eacute;cnica Municipal de Teatro, Dan&amp;ccedil;a e M&amp;uacute;sica (Fafi)&lt;/strong&gt; -&amp;nbsp;Av. Jer&amp;ocirc;nimo Monteiro, 656 - Centro, Vit&amp;oacute;ria - ES&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span style="font-weight: 400;"&gt;&lt;strong&gt;Casa da M&amp;uacute;sica S&amp;ocirc;nia Cabral&lt;/strong&gt; - R. S&amp;atilde;o Gon&amp;ccedil;alo - Centro, Vit&amp;oacute;ria - ES&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span style="font-weight: 400;"&gt;&lt;strong&gt;Museu Capixaba do Negro (Mucane)&lt;/strong&gt; - Av. Rep&amp;uacute;blica, 121 - Centro, Vit&amp;oacute;ria - ES&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span style="font-weight: 400;"&gt;&lt;strong&gt;Mercado da Capixaba&lt;/strong&gt; -&amp;nbsp;Av. Jer&amp;ocirc;nimo Monteiro - Centro, Vit&amp;oacute;ria - ES&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;p&gt;&lt;span&gt;&lt;span style="font-weight: 400;"&gt;&lt;strong&gt;Audit&amp;oacute;rio do Ciretran&lt;/strong&gt; -&amp;nbsp;R. Henrique Novaes, 170 - Centro, Vit&amp;oacute;ria - ES&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</description><pubDate>Mon, 06 Apr 2026 18:02:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/semanadavoz2026</guid></item><item><title>Pianista Acompanhador 2026/02</title><link>https://fames.es.gov.br:443/Not%C3%ADcia/pianista-acompanhador-2026-02</link><description>&lt;h4 style="text-align: left;"&gt;&lt;strong&gt;Rela&amp;ccedil;&amp;atilde;o de alunos do curso de Bacharelado para acompanhamento:&lt;/strong&gt;&lt;/h4&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;8&amp;ordm; Semestre&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;Flauta - Ludmila Rocha Passos - &amp;nbsp;Prof. Willian Lizardo&lt;br /&gt;Viol&amp;atilde;o - Daniel Saldanha Almeida Abreu Vieira - &amp;nbsp;Prof. M&amp;aacute;rcio Modesto&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;7&amp;ordm; Semestre&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;Elen Cristina Bremmenkamp Coutinho - Prof. Elenisio Rodrigues&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;6&amp;ordm; Semestre&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;Trombone - Felipe Francisco da Silva - &amp;nbsp;Prof. Elenisio Rodrigues&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;5&amp;ordm; Semestre&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;Trompete - Raphael Marques Scarpini - &amp;nbsp;Prof. M&amp;aacute;rcio Modesto&lt;br /&gt;Trombone - Matias Rangel dos Santos - &amp;nbsp;Prof. Willian Lizardo&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;3&amp;ordm; Semestre&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;Contrabaixo - Nicol&amp;aacute;s Manuel Moreno Verdejo - &amp;nbsp;Prof. Willian Lizardo&lt;br /&gt;Fagote - Lavinia Sim&amp;otilde;es da Silva - &amp;nbsp;Prof. Elenisio Rodrigues&lt;br /&gt;Violino - Maria Rita Figueiredo Martins - Prof. Elenisio Rodrigues&lt;/p&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;1&amp;ordm; Semestre&lt;/strong&gt;&lt;/p&gt;
&lt;p style="text-align: left;"&gt;Violoncelo - Dariannath de Jesus Bravo Pronio - &amp;nbsp;Prof. M&amp;aacute;rcio Modesto&lt;br /&gt;Contrabaixo - Nycollas Louzada dos Santos - Prof. Willian Lizardo&lt;br /&gt;Saxofone - Sofia Brito Lomba - Prof. M&amp;aacute;rcio Modesto&lt;br /&gt;Clarinete - Danyel Henrike Oliveira Fernandes Silva - Prof. Willian Lizardo&lt;br /&gt;Clarinete - Kamily Rodrigues Marques - Prof. Willian Lizardo&lt;br /&gt;Saxofone - Ricardo Henrique Calazans Toledo - Prof. M&amp;aacute;rcio Modesto&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;A presente listagem foi elaborada com base na carga hor&amp;aacute;ria dos professores de piano, em reuni&amp;atilde;o conjunta com o coordenador de n&amp;uacute;cleo, Prof. M&amp;aacute;rcio Modesto, e demais professores.&lt;br /&gt;&lt;br /&gt;Solicitamos &lt;strong&gt;que os alunos entrem em contato diretamente com os professores de piano, por e-mail&lt;/strong&gt;, para o agendamento de seus hor&amp;aacute;rios, conforme a lista abaixo.&lt;br /&gt;&lt;br /&gt;Cabe ao aluno realizar o &lt;strong&gt;agendamento do hor&amp;aacute;rio&lt;/strong&gt; e &lt;strong&gt;providenciar a entrega das c&amp;oacute;pias impressas das obras&lt;/strong&gt;, organizadas e com as devidas colagens ou encaderna&amp;ccedil;&amp;otilde;es, ao professor, com anteced&amp;ecirc;ncia m&amp;iacute;nima de uma semana em rela&amp;ccedil;&amp;atilde;o ao primeiro encontro.&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;p style="text-align: left;"&gt;&lt;span&gt;&lt;strong&gt;Prof. Elen&amp;iacute;sio Rodrigues&lt;/strong&gt;&lt;br /&gt;&lt;a href="mailto:elenisio.junior@fames.es.gov.br" target="_blank" rel="noopener"&gt;elenisio.junior@fames.es.gov.&lt;wbr /&gt;br&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Prof. M&amp;aacute;rcio Modesto&lt;/strong&gt;&lt;br /&gt;&lt;a href="mailto:marcio.homem@fames.es.gov.br" target="_blank" rel="noopener"&gt;marcio.homem@fames.es.gov.br&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Prof. Willian Lizardo&lt;/strong&gt;&lt;br /&gt;&lt;a href="mailto:willian.lizardo@fames.es.gov.br" target="_blank" rel="noopener"&gt;willian.lizardo@fames.es.gov.&lt;wbr /&gt;br&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;
&lt;hr /&gt;
&lt;h4 style="text-align: left;"&gt;Solicita&amp;ccedil;&amp;otilde;es de pianista acompanhador&lt;/h4&gt;
&lt;p style="text-align: left;"&gt;&lt;strong&gt;P&amp;eacute;riodo de solicita&amp;ccedil;&amp;otilde;es:&lt;/strong&gt; De 23 a 27 de mar&amp;ccedil;o de 2026&amp;nbsp;&lt;strong&gt;&lt;span style="color: #008000;"&gt;&lt;span style="color: #ff0000;"&gt;(encerrado)&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;
&lt;h4 style="text-align: left;"&gt;&lt;strong&gt;&lt;span style="color: #008000;"&gt;&lt;a href="https://docs.google.com/forms/d/e/1FAIpQLSfitdFLq71x7V_wF7IByeh-wuhErQnAA_PTuqnSVzbtKjlRtA/viewform" target="_blank" rel="noopener" style="color: #008000;"&gt;Acessar formul&amp;aacute;rio de solicita&amp;ccedil;&amp;atilde;o &lt;span style="color: #ff0000;"&gt;(encerrado)&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/h4&gt;</description><pubDate>Fri, 20 Mar 2026 15:43:00 GMT</pubDate><guid isPermaLink="true">https://fames.es.gov.br:443/Not%C3%ADcia/pianista-acompanhador-2026-02</guid></item></channel></rss>